A Quote by Macaulay Culkin

I'm not one of those actors who needs the media spotlight all the time to feel gratified. I'm happy to do one project a year and take the rest of the year off as long as that project is special.
I'm asked all the time, 'Doesn't it feel great to finish the novel?' And the answer to that is, 'No.' It's sort of a loss to stop a 10-year project, which is an imaginary project in the sense that it's a work of my imagination.
Over the years, many executives have said to me with pride: 'Boy, I worked so hard last year that I didn't take any vacation.' I always feel like responding, "You dummy. You mean to tell me you can take responsibility for an eighty-million-dollar project and you can't plan two weeks out of the year to have some fun?
I have the attention span of a 2-year-old. I like to jump from project-to-project.
I can very much enjoy taking a year off. Whereas some people would feel crippled by that, I can feel enlarged by it. And then I also like to work nonstop, maybe for a year-and-a-half, and then take a year off.
After 'Where The Wild Things Are,' which was this big, long five-year project, I spent a year making small things.
I like to mix it up, yeah. I don't sort of think, 'Oh, I need to do a comedy, I've done three dramas this year.' I don't think of it like that, but I definitely from project to project I feel like I want to just do something different all of the time and stop, I don't want to bore myself or anyone else.
I'm asked all the time, "Doesn't it feel great to finish the novel?" And the answer to that is, "No." It's sort of a loss to stop a 10-year project, which is an imaginary project in the sense that it's a work of my imagination. The people who I've lived with for 10 years in my imagination are now sort of defunct. To lose them is rather a mournful process - it's not a relief.
The Revelation was my master's project, and after I finished it, I thought I'd send it off to a publisher and within a year or so be a rich and famous writer. Two years later I finally sold it. For a whopping $4,000. A year after that, it finally came out. Which explains why there are all those terrible jobs on my resume!
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
Every year, I assign myself to make a beautiful art piece which is my musical project for the year.
The fact that a thirteen-year-old project still resonates and can still have a large exhibit with lots of newspaper, magazine and TV press shows the timelessness of the project.
Before I start a project, I always ask myself the following question. Why is this book worth a year of my life? There needs to be something about the theme, the technique, or the research that makes the time spent on it worthwhile.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
I'm narrating the television series Biography. I'm still involved in my music - I have a new album out. I have an animated project in development. I'm writing a lot of things and you never know if one of them is going to become a six or seven year project.
The Veteran's History Project, a nationwide volunteer effort to collect oral histories from America's war veterans, provides an avenue to do just that. Now in its fifth year, the Project has collected more than 40,000 individual stories.
During the summer of 1963 between my junior and senior years, I began a research project on hypothermia in the Department of Surgery with Sidney Wolfson. I quickly became fascinated by the project and continued working on it throughout my senior year.
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