A Quote by Maceo Parker
Me and my brothers started a musical group early on, and we were playing in places where we really weren't supposed to be.
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I have two brothers, and one of them plays the guitar. I actually started playing the guitar because of him. Both of my brothers are 12 years older than me, so I thought they were really cool, and I just wanted to be really cool like them.
I started playing bluegrass with my family, so there were the G, C and D chords. I was playing a Martin acoustic because that's what Carter Stanley of the Stanley Brothers played. Then I got into the really raw blues of Hound Dog Taylor and started on electric guitar.
I didn't really think I was really good, I was just playing the game because I enjoyed playing it with my friends. Then once I started playing organized soccer, parents, coaches and other teammates were telling me to keep going and that I could become something so I started believing it.
I'm not supposed to be playing, the music is supposed to be playing me. I'm just supposed to be standing there with the horn, moving my fingers. The music is supposed to be coming through me; that's when it's really happening.
We were on As the World Turns together with Trevor Vaughn. We played brothers on the show. Our friendship started there. We would punch each other in the face, in the nuts, while we were acting. Our characters are supposed to hate each other, but we actually got along really, really well.
Growing up, for me, it was in a musical family, so my mum and her brothers and sisters always sang. Every time I tried to join their group when I was little, they were like, 'Ah, darling, you're not too good - just sit back and watch us.'
I'm an old guy, so I started out playing 'Pong' with my brothers, and 'Mario Bros.' and whatnot. But we really got involved and got intense when 'Tecmo Super Bowl' came out. That's when we really started playing video games, and it got intense.
I started playing guitar before I can really remember, and I started writing really early, too.
We wanted a musical number that would capture the exhilaration of being out on a boat as they were and sailing with the stars and all that. So that's the origin of We Know the Way. From very early on we said, for an audience that doesn't know this, what we need a song that can really have the kind of sweep and the, you know, pull you in. So that was early on, we conceived of like that should be a musical moment [in Maona].
My parents were on the Grand Ole Opry. They traveled all over the country singing hillbilly music. That's what they called it back then. They were friends with Roy Acuff and the Delmore Brothers and the Carter Family. And all of my brothers and sisters who were older than me started on the show, after they were big enough to hold a guitar and sing.
When I was 14, I started playing for Taye Academy in the city of Owerri, and then my whole life became football. I dreamed of playing for certain clubs, or going places I'd never been before, but I just kept my ambitions to myself because I never really expected that I could get to these places.
I thought about what I wanted to do besides playing violin and singing backup in a band. Don't get me wrong, playing and singing in That Dog was really fun, but I wanted to work on other musical projects and sing more. So I started a vocal project, i.e. Imaginaryland.
I started playing with digital technology early on in my work. I made digital collages with costumed figures using early versions of Photoshop in the 90s. I was trying to use the newly available digital technologies to combine real people and places with new imagined possibilities.
Back In 1982, I started in show business with my brothers. We started a break dancing group.
I grew up with my cousins, who were as close as brothers, and frankly, I didn't like what girls were expected to do. I liked horseback riding, playing football, going to rodeos. I wanted to be in jeans all the time, and I couldn't figure out why I was supposed to conform to a certain standard, so I didn't.
People call what we do "stretch music." This is our style, and one of the newer, in vogue ways of playing creative, improvised music. It really grew out of me trying to address something that I saw in my everyday life in my neighborhood - trying to develop that and refine that and excavate exactly what that was in a way that, when I communicated it, it was palpable and easily read. That started really early. Why it started was from something that I was really angry about.
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