A Quote by Mack Sennett
The more Keystone comedies I make, the more convinced I become that comedy is an art, and a high one at that.
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I'm proud of everything I've done. If it's comedy, it's 'cause I think it's funny. If it's a drama, it's impactful. I'm leaning towards dramas now because I wrapped a couple comedies in a row. I don't like watching myself, but it's easier on me when I don't have to carry a lot of the comedy. But I enjoy making comedies but dramas come more naturally.
comedy is a high form of art becaus it brings us more joy than anything else, practically but at the same time, it doesn't get a lot of respect. that's the sacrifice you make to do it.
It's really interesting - I wanted to become an actress when I was young because I wanted to do romantic comedy. And I did a lot of comedies very early on, but then my career took kind of a left turn with Joss Whedon, and I discovered that doing genre work is actually more interesting as an actor, because the given circumstances are more extreme. And it really is creatively more challenging.
Comedy is lively, comedy is joy, and that's what keeps us [people] going, we've got to look forward to little, little happiness's. Little, little joys, and comedy is very, very important, it's a vital. We underestimate its value, but we should see more comedies. Comedy is life giving, it's invigorating. I really believe it.
The one object of fifty years of abstract art is to present art-as-art and as nothing else, to make it into the one thing it is only, separating and defining it more and more, making it purer and emptier, more absolute and more exclusive - non-objective, non-representational, non-figurative, non-imagist, non-expressionist, non-subjective. the only and one way to say what abstract art or art-as-art is, is to say what it is not.
I actually love Scorsese comedies. He's an underrated comedy director. I think his comedies are some of the best comedies ever made.
You probably can't name more than a handful of comedies that would qualify for Best Picture. I can think of a lot of comedy screenplays; Woody Allen has had numerous nominations for his screenplays. But most comedies are calculated. They tend to pander. They're not about anything important.
Art should not be a tool of politics, but sometimes art can help make the political climate more open and help society become more free.
Exercising power can do strange things to people. You can become convinced that you're irreplaceable. You can become convinced that you're always right. And I think the danger is the longer you stay in power, the more likely that is to happen.
I don't like high concept movies very much, and the kind of scripts that I would occasionally get offered tended to be really high concept comedies or romantic comedies. I just don't like it. I like much more realistic movies with actual psychology and behavior in them.
I love a good comedy, but the slapstick sitcom belly-laugh sort of comedy - the multicam thing - is not really where my interests lie. I'm very interested in single-cam, in intimate portraits. I like it when comedies have a little bit of realism and a little bit of darkness to them. It makes them more palatable and more relatable and grounded.
I like human comedies - or dramedies. More than anything, I'm interested in people just dealing with everyday things that are difficult, and there is more than enough comedy and drama in that.
The more generous we are, the more joyous we become. The more cooperative we are, the more valuable we become. The more enthusiastic we are, the more productive we become. The more serving we are, the more prosperous we become.
Art has become more than painting, sculpture or music: art is more than Van Gogh painting a landscape or Wagner composing an opera. The whole of reality itself has become the object of art.
My thing was always more character-driven comedies, not sketch comedy - not that there's not room for both or one isn't enjoyable, just my personal taste, I like movies that comedy comes from out of flaws of people, things that are uncomfortable, out of tragedy.
When I was a little kid, I was a huge fan of 'The Kids in the Hall.' They were like my boy band. I was obsessed with sketch comedy. Being raised Christian, I was somewhat sheltered from the more radical high-art world. So to me, comedy was where people got to express themselves in an abstract way. It was a big part of my growing up.
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