A Quote by Mack Wilberg
It's a great privilege and a highlight for choir and orchestra members to perform for audiences in live concerts.
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Congratulations to all the members of the wonderful Treorchy Male Choir past and present. In moments of grief or joy, the sound of the Choir can move and uplift and restore spirits like no other sound. Masters of their craft, each and every singer plays a vital role in helping maintain such a fantastic musical tradition. Long may the Choir prosper and continue to the delight of audiences around the world.
The choir tries to perform for everyone. It enables us to be very diversified with our audiences.
There has been a huge growth in the audience attending live concerts. It's delightful to see the increase in audience members and I hope to see more demand for live concerts in the years to come.
I always tell my audiences not to listen to such artists who play audio CDs at their concerts. Such shows shouldn't be called live shows. People like AR Rahman, Sunidhi Chauhan, and Arijit Singh are the ones who hold true concerts.
While musical experts of the world focus on what choir members can do, I would like to focus on what choir members can be.
I feel choir just has a great sense of power when used with an orchestra, or even by itself.
I would never inflict my bassoon on anybody really other than the long suffering audiences that come to the concerts of The Really Terrible Orchestra; which actually is really terrible.
I got to perform the [Jaques] Ibert Concertino Da Camera with a brilliant pianist at school named Chunga. I got to perform the [Alexander] Glazunov Concerto in senior year with our school orchestra and the Jewish Grossman orchestra. I won a scholarship from the Goldman band to perform the [Paul] Creston Concerto. Which I never played with them, but they still gave me the money.
When I got married, I hired a great choir - the St. James Choir, an all-black gospel choir - to sing at my wedding.
I went to this little performing arts school in downtown Phoenix. You had to dance or act, and everyone sang in choir. I started out playing the saxophone, but I always wanted to be in an orchestra. That was a dream as a kid, and there aren't a lot of saxophones in an orchestra.
We live in a culture of a big me. We're encouraged - we raise our kids to think how great they are, where we have to market ourselves to get through life. We're in social media, where we broadcast highlight - highlight reels of our own lives on Facebook.
I love seeing young girls and their parents and grandparents at my concerts all loving the music from Grease when I perform those songs (and yes, I do perform a bunch of them!).
My wife Elizabeth and I started The Really Terrible Orchestra for people like us who are pretty hopeless musicians who would like to play in an orchestra. It has been a great success. We give performances; we've become the most famous bad orchestra in the world.
No organization can depend on genius; the supply is always scarce and unreliable. It is the test of an organization to make ordinary people perform better than they seem capable of, to bring out whatever strength there is in its members, and to use each person's strength to help all the other members perform.
Women perform great in the box office. Audiences want to see lead female characters.
I remember performing with the Choir as an instrumentalist when I was still in school and it was wonderful to share the stage with them again more recently in Rhyl and at the opening of the Wales vs New Zealand rugby international at the Millennium Stadium. Here's wishing everyone involved in the Choir every success - I can't wait to perform with you again.
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