A Quote by Mackenzie Davis
The first two or three movies I did, I'd be around famous co-stars and totally pretend like I didn't care, but inside, I was shaking. I've been weaning myself off that.
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I was in a TV show called 'Orrible' with Johnny Vaughan, I did the last series of 'Teachers', I did two or three different characters on 'The Bill'. Just stuff like that. The 'Inbetweeners' was the first thing that really took off.
The Asian woman in Hollywood movies has usually been one of two extremes - totally submissive or totally ruthless. In either case her primary function has been decorative.
I like the stars. It's the illusion of permanence, I think. I mean, they're always flaring up and caving in and going out. But from here, I can pretend...I can pretend that things last. I can pretend that lives last longer than moments. Gods come, and gods go. Mortals flicker and flash and fade. Worlds don't last; and stars and galaxies are transient, fleeting things that twinkle like fireflies and vanish into cold and dust. But I can pretend.
I went from two stars to one star to two stars to three. In the history of the 'Michelin Guide,' I don't think there has been any chef to go up and down - and then up again.
I just went off for two months traveling around Europe on a motorcycle and pretty much turned my phone off. I did 5,000 miles with my dad. We went through Holland, Germany, Austria, Slovenia, Croatia, Bosnia, Montenegro, Italy... and then I did Spain and France by myself.
The only thing is that ordinarily when I do dance with [women] they think I am suddenly going to throw them over a table or twist them all around. All I want to do is one-two, one-two-three - a simple fox trot. But they're shaking with anticipation at the thought that I'm about to whip them around and then toss them on the roof.
I've been gone on the road for the past three years; maybe I've been home for two or three weeks in a year. I literally live - it's like one of those old movies where they show a train, and pages of a calendar are peeling away like leaves, and then there's a picture of me with gray hair.
Wish on everything. Pink cars are good, especially old ones. And stars of course, first stars and shooting stars. Planes will do if they are the first light in the sky and look like stars. Wish in tunnels, holding your breath and lifting your feet off the ground. Birthday candles. Baby teeth.
The bike that I've been riding is a Big Ripper. It' an SE Racing 29" bike that Famous [Stars & Straps] did a collaboration with and Travis [Barker] gave to me. So that's the bike that I cruise around on and bunny-hop on.
One of the great awards from a chef's point of view are Michelin stars. The ultimate is three Michelin stars. For example, Gordon Ramsey has three Michelin stars. Having one Michelin star is a big deal, two is incredible and having three puts you in a bracket of maybe 30 chefs worldwide.
When I did 'The Sound of Music' and 'Mary Poppins' and 'The Americanization of Emily,' all three were in the can and had not yet been released. So I was driving around having a fine time learning about how to make movies and enjoying myself enormously, and then they were released, and it was quite an assault, in a way.
What did Bush do on 9/11? He ran away and hid. Even Reagan knew more about leadership than that, and he was as bad a symbol of America as I can think of, off-hand. But at least he's been in enough cowboy movies to know he had to come out and stand on top of the rubble and be seen shaking his fist or something.
In 2008, no images dominated Hollywood's viewfinders like theirs did. They're rich... they're gorgeous... sometimes, they get a little emotional. Also, they're each about three feet tall. They're the children of the famous, on newsstands and Web sites - the breakout stars of 2008.
When you become famous, you start getting invites to parties where there are famous athletes and famous rock stars, politicians, people who have tremendous power and affluence. It's not in my DNA, but certainly I have been exposed to it.
I don't have this feeling like, oh, I want to live in the United States and make movies and become famous just because the money is here. I like to make movies that tell stories that I care about.
I don't have this feeling like, 'Oh, I want to live in the United States and make movies and become famous just because the money is here.' I like to make movies that tell stories that I care about.
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