A Quote by Mackenzie Davis

I've just sort of jumped into relationships and moved in with people way too soon. — © Mackenzie Davis
I've just sort of jumped into relationships and moved in with people way too soon.
Michael Bisping, in one of his last fights, he stepped out there too soon. He had a brutal fight with Georges St-Pierre and then real quick jumped in against Kelvin Gastelum and just got put away. If you do that, if you step out there too soon... this is your livelihood.
I don't think there's such a thing as falling in love too easily or falling too fast. Or loving someone too soon or trusting someone too soon... I've never treated two relationships the same. Some people move you and some people don't.
When I first moved here, I almost felt like I was obligated to hate L.A. as a New Yorker. I moved way too fast for this city. I walked everywhere, and I was lonely, too. It was a really hard time not knowing anybody, and you don't run into people the way you do in New York. You can go a week without seeing anyone.
The people who are rising, they're super ambitious. They have relationships with people above them. They have relationships, hierarchical, sort of people below them. A lot of people do not have relationships horizontally. And there's a lot of people who reach high political offices, but who are weirdly lonely, weirdly lacking in intimacy skills.
All of my relationships have happened organically with people who are super cool and in my life and it just moved into a relationship zone.
I really became aware of the fact that, oh yeah, whereas a lot of other shows are sort of cynical or jaded or just sort of coming from that sort of energy, our show is very, very about these love-based relationships. It really comes out, a lot of times, in a sweet way. And I think people find that refreshing about our show. That's one of the things I definitely picked up on.
As soon as you start acting in an accent, you're sort of out of your comfort zone. Maybe people start getting used to accents after a long period of time. But as soon as you do that, it's not so much as capturing the sound of the way other people speak, it's being able to actually be and move around in the sound.
With Gargoyles, I didn't want to walk away. I liked the idea too much, I was too passionate about it and so I went to my bosses and said, "Guys, I want to produce this show." Their initial response, lets call it dubious, but they let me give it a shot and sort of the rest is history. I moved from one side of the desk to the other side of the desk, and became a full time writer which had always been the goal, but I came about getting the actual work in a sort of roundabout way.
The war was an escape to reality... The only thing that mattered were human relationships; not money, not position, not even family... Only relationships with people who might be dead tomorrow were important. It is a sort of wonderful state of mind. It's too bad it takes a war to create such a condition among men.
I think too many people edit themselves way too soon. There's plenty of time to edit, and it is a crucial part of it all, too.
People are too afraid of uptown. A lot of people will tell you, like, "Don't go to Harlem. You can never go there. 'Cause as soon as you get there, they kill you." That's what people think. As soon as you arrive in Harlem, someone just stabs you in the face right away. That's people's image of Harlem: just everyone standing around waiting for lost white people to kill all day. "Did you see any? I didn't either."
Odd, isn't it? He really was the right man for her in a sort of way; but then as you know, it is a law of love that the so-called 'right' person always comes to soon or too late.
In my living room - it's probably going to be moved to my office soon because it freaks too many people out - I have a huge seven foot statue of 'Seven of Nine' of 'Star Trek Voyager.'
Zooms are lazy closeups. And too many people hang their hats on video assist; it's a way to avoid too much. Video assist helps people dissociate from the scene that they are directing. Pretty soon the director will be directing all the way from his apartment.
And religious music and the sort of symbolism of it and everything. But I had this idea. Actually, I sort of dreamt it. I woke up - just before waking up one morning, I sort of dreamt this song or the idea of it and the first little bit of it. And I jumped out of bed and I thought, well, you're still asleep. You're going to forget this in a minute - you know, like you do when you've had a dream.
Some people are faster than others; I'm just figuring it out later, that's all. I'm getting smart too late and old too soon.
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