A Quote by Mackenzie Foy

It kind of varies according to what I'm doing and what my situation is, but, most of the time, I have no idea what I'm doing until the day of. — © Mackenzie Foy
It kind of varies according to what I'm doing and what my situation is, but, most of the time, I have no idea what I'm doing until the day of.
Every time I do a talk show or something, I'll be like, 'I'm doing 'Chandelier,' right?' and they're like, 'No, you're doing a skit and three dances.' It's different every time. I never really know what I'm doing until the day before.
To this day, I continuously get social media people tweeting doing 'Glorious Bombs' from all over the world. You have little kids doing them. You have moms doing them who have no idea what they're doing, but they're doing it. It's become one of those entertaining things.
They will do more whether we do what we're doing or whether we don't do what we're doing. And the idea that you could appease them [terrorists] by stopping doing what we're doing or some implication that by doing what we're doing we're inciting them to attack us is just utter nonsense. It's just - it's kind of like feeding an alligator, hoping it eats you last.
I didn't start until I was 21, and most people I know were 13 when they had their first guitar - I missed that time where you sit in your bedroom all day for years and accidentally you're doing classical training, although you're not thinking of it that way. It's not as easy, as you get older, to do all that kind of practice.
Most people think it's all about the idea. It's not. EVERYONE has ideas. The hard part is doing the homework to know if the idea could work in an industry, then doing the preparation to be able to execute on the idea.
Leverage your time more by spending a little more time every day imagining and a lot less time every day doing. Do a little more imagining and a little more less doing. Until eventually most of what's happening is happening in the cool, calm, anticipatory state. Just imagine yourself into the successes, and watch what happens. Imagine a little more and act a little less.
The biggest idea of a good time for me is making the Batman videos that we did. That is my ideal day. That is exactly what I want to be doing... I like doing cartoons. I like writing things.
Success isn't winning every time. A lot of different factors go into every race, and you can't control all of them. Success means doing as excellent a job as you can on that particular day. The people I admire most aren't necessarily the most wonderful athletes. I admire the ones who keep coming back and doing it, time after time.
Never waste time and energy wishing you were somewhere else, doing something else. Accept your situation and realize you are where you are, doing what you are doing, for a very specific reason. Realize that nothing is by chance, that you have certain lessons to learn and that the situation you are in has been given to you to enable you to learn those lessons as quickly as possible, so that you can move onward and upward along this spiritual path.
Pearl Harbor? Michael Bay doing a movie about the single most devastating, most holy day in United States military history? Why, that's like the Three Stooges doing a Holocaust movie. Or Barney doing 'Hamlet'.
Most of my comedy writing happens through improvisation on stage; doing it in the moment. Going up with an idea and fleshing it out over time on stage and in front of people until it becomes a full bit.
You cannot keep doing the same things. According to the situation, your role changes in one-day cricket, especially in a phase like the Powerplay. If I bowl four spells, four times I will be playing a different role.
For the first three years, when I was writing, I was doing sessions with a whole bunch of different people all the time every day until I met Lindy Robbins, who kind of mentored me. And then, once you find that, all the pieces come together.
It's kind of not about the quality of the art, as much as this is what I love doing and I'd have a worse time doing anything else. That's kind of as far as I think in terms of philosophy.
But the idea behind French hours is that instead of doing a 12 and a half or 13-hour day with a lunch break in the middle, you do a 10-hour straight day. Everyone kind of eats food throughout the day anyway on the set.
When I'm doing a session for another artist, it's a very scheduled thing, and it's kind of imperative that I write a song in that time. But if I'm trying to write a song for myself and I don't have an idea that day, I just can't force it.
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