A Quote by Mackenzie Foy
I love to draw and paint. I'm very active in that way, but I'm not very good with the written word, though.
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I don't paint, and I can't draw, but I see things, I think, quite well, and I love being able to freeze things with the camera, particularly the children. Then I discovered with the camera that you can tell a whole story with just freezing a moment in reality. I find it a very good way, a very satisfying feeling.
I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
I'm into using acrylic, in a complicated kind of way: Making it just as good as oil paint - better, maybe. It's odd - when I started out, acrylic was for children, pretty much. It was a cheaper paint. It wasn't supposed to look very good or last very long.
I just love to draw. It's very intense for me. The day will just go by like the snap of a finger. A lot of times I'll draw or paint late into the night. When I am really concentrating, I kind of lose track of what I am doing.
Love, which is lust, is the Lamp in the Tomb.
Love, which is lust, is the Call from the Gloom.
Love, which is lust, is the Main of Desire.
Love, which is lust, is the Centric Fire.
So man and woman will keep their trust,
Till the very Springs of the Sea run dust.
Yea, each with the other will lose and win,
Till the very Sides of the Grave fall in.
For the strife of Love's the abysmal strife,
And the word of Love is the Word of Life.
And they that go with the Word unsaid,
Though they seem of the living, are damned and dead.
Never use the word, 'very.' It is the weakest word in the English language; doesn't mean anything. If you feel the urge of 'very' coming on, just write the word, 'damn,' in the place of 'very.' The editor will strike out the word, 'damn,' and you will have a good sentence.
There is a terrific disadvantage in not having the abrasive quality of the press applied to you daily. Even though we never like it, and even though we wish they didn't write it, and even though we disapprove, there isn't any doubt that we could not do the job at all in a free society without a very, very active press.
I learned to paint at home from my mom. She was a very good teacher, but with spray paint, I taught myself. Spray paint is impossible. They say it takes a decade to really learn spray paint and be good with it. I've been at it about ten years now and am now really just getting good and confident with it.
I think it would be more beneficial to protection of species if we could focus our efforts rather than paint a broad-brush area that is so enormous that active management is very, very difficult.
I'm not that particularly talented in terms of making anything or - I'm not technically efficient. I certainly don't know how to draw very well or paint, and I'm not good with computers. But I think the thing that I'm good at is willing something into life, no matter what. I do what it takes to get it done.
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
I think writing in a group, even though it can be a challenge - you have to be on your toes all the time - is the way the best comedy gets written. It's very, very collaborative. A lot of comedy writers are definitely introverted nerds.
In an unhealthy way, I found a lot of validity in having always been a very good athlete, a very good baseball player, and I've since grown out of that place into a different perspective and learned how to live differently, thankfully, where baseball is certainly something that's very important to me. It's not who I am, though. It's just what I do.
The class situation [at Art Institute on Elmwood Avenue] was such that one would be very much on their own to paint or draw. The faculty was roving to give opinions or help out technically, which all the faculty did very well.
I used ribosomes from very, very robust bacteria under very, very active conditions and found a way - I actually took advantage of research done before me at the Weizmann, the same institute I am now - how to preserve their activity and their integrity while they crystallized.
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