A Quote by Macklemore
I grew up in the spoken-word community. Before everybody had a home studio, or before we could get booked for shows, open mics were the only way to be heard by other people. It really gave me a chance to develop as a performer. Reading a piece of poetry with no beat in front of 20 people is way more challenging than rocking for 10,000 people.
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Reading a piece of poetry with no beat in front of 20 people is way more challenging than rocking for 10,000 people.
I get way more nervous playing golf in front of 500 people than being on stage in front of 20,000 people.
The look he gave me...My stomach quivered in that exact same way when I watched Before Sunset, yearning for a guy to know me so deeply and truly, we were only really complete when we were together. That I could talk, go on wild tangents, make obtuse references, and he would divine my meaning before I knew what I was trying to say myself. Erik had fallen asleep next to me on the couch, complaining later that the movie was "just people talking." He had no idea that this movie could have been a love letter written for me.
My falling in love with spoken word poetry definitely came out of that time period where all the adults around me were failing to supply me with any answers. Everyone was too busy dealing with things that were more important. I was pretty lost and invisible. And all of a sudden, this world opened up where I could get on stage and perform in front of my peers. People would listen to me and see me, and people would say, "That thing you created was important." And that was so validating and necessary at that specific moment.
I grew up with plenty of smart people. They would beat me at chess; they could solve brain teasers before I could, but then they would struggle in algebra. These were incredibly smart people who simply did not have the foundation in math that I had.
To me, the best part of coming up in that, kind of the last era before it went that way with the FCWs or NXTs, kind of the farm system, is that, you know, wrestling Jimmy Valiant in front of 10 people in Cleveland. We didn't touch. I think we did two things, but we were out there for 20 minutes.
You have to get knocked down to realize how people really feel about you. I've realized that more than ever lately. The other day, I was on my way to the car. It was hailing, the streets were slippery and I was having a tough time of it. I came to a corner and started to slip. But before I could fall, four people jumped out of nowhere to help me. When I thanked them, they all said they knew about my illness and had been keeping an eye on me.
At this point, a lot of people have made their mind up about me one way or another. I'm sure there's a certain segment of writers who won't ever give me the time of day, hate me, don't get me, don't think I'm good, or whatever. I guess that's fine. It's only an opinion. There are other people who do get it, and can be objective. I could be wrong, but a lot of people, except for really young people, have made up their minds one way or the other.
Before I won 'American Idol,' I'd never been in a professional studio at all. I'm getting more used to it. I'm really weird, though: I sing way better in a crowd of 3,000. It's easier than singing in front of 2.
At 10 o'clock in the morning I'd go right in the studio. It feels good to be there in the morning before the day starts to mess with you - I don't mean in a negative way, but before I'd speak to a lot of people or get into anything, I'd go in there and just see what I felt. A lot happens in the morning for me in the studio.
There's something about TV shows and the format that becomes a bit more personal. People watch two, three in a row before they get out of bed on their laptop or when they get home from going out and before they go to sleep. People make shows part of their daily routine, and that makes them take ownership of it. If you're so arrogant as to call yourself an artist, you can't ask for anything more than that.
I think I started to approach time in a different way after the accident. Before I was more willing to give my time to people and things that I wasn't as interested in because somehow I allowed myself to be brainwashed into being forced to work with other people or on other projects that I had no interest in. So simply, the accident gave me the opportunity to do what I really wanted to do.
I think growing up in such a small town - before cell phones, before the Internet, before Facebook, before we had access to people's interiors - there was a great deal of space between people's lives. I spent a lot of time imagining into the lives of the people I grew up with.
I joined the PBA way before I should have because I heard a rumor they were going to limit the number of people who could get in.
I love sitting down and talking to people. CNBC gave me a chance to do it in a way that I liked. They gave me a chance to also develop the skills to learn from my mistakes.
I've always been a fan of poetry. I grew up with Lawrence Ferlinghetti and the Beat poets. I really followed that stuff for a while. I just love the way people threw words around like they were painting.
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