A Quote by Macy Gray
It's like any other job: there's a method to it and it's really important to get that down. I'm still working on it, I got a lot to learn. It's one thing to make records but it's a whole 'nother capacity to be a star - whatever that is.
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It's really hard to make records and concentrate and have a free mind, because I have this whole other life. If you don't have kids it's a whole other thing. I think you can be fifty and still have a rock and roll lifestyle; you can still perpetuate that.
I think that while kids are in college they don't think that fitness and nutrition are really important things. But once they get to the NFL it's a job, and just like any other job you've got to be at your best to a certain point, especially with a job like this. You've got to be fit and you've got to eat the right things.
If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me during those other times. It was good medicine for me, and it still does that for me when I put something on. Isn't it wonderful that we've got all that good medicine? I think it's got to be all part of our DNA, this mass communication through music. That's what it is. It's got to be, hasn't it? Music is the one thing that has been consistently there for me. It hasn't let me down.
I want to get out in the community and make sure everyone knows I'm not some renegade driver that's out there and irresponsible and reckless. I really think this is just a one-time thing. You live and learn. If you do the crime, you do the time, so to speak. With that said, I got a lot going for me. I got a great job, a great career, a great family. This is just a little bump in the road. My spirit's not broke. I'm not down and out by any means.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
I would have to say Björk is my dream collaboration. She's just such a character and has such a spirit that is unlike any other artist out there. She's literally on a whole 'nother planet. She's consistently changing and evolving and doing these different wild things with her songs. I think I could learn a lot from a person like that.
The crazy thing is, I sent out 200 letters and I got one job interview, and I actually got that job, which was working as a development assistant at Joel Silver's company. I always say that to people when they ask "What do I do?" and I'm like, "Look, I didn't get ten responses, and I didn't get five interviews, but I got one interview, and I got the job," and that was all I needed.
I feel like that [the role in Star Trek] is a prime example of, yeah, I got that role and it was awesome, because it changed a lot for me professionally, but then creatively, it became a whole other thing, with J.J. [Abrams] and Chris [Pine] and the people I got to know. Now I just feel like it's our jobs to be open and to keep moving stuff forward. I don't know what that means. This is the first time in a long time that I have no idea what's happening next. As scary as that is, and as anxiety-provoking as that can still be, it's also really exciting.
I feel like everybody's waiting for a job y'know, you can make a movie on your phone. And so there really is no reason to worry about how to get in with people- and you can do that, there's a lot to learn working for people -but you can just make a movie, where in the old days that was completely impossible.
I'm over being a pop star. I don't wanna be a hot girl. I wanna be iconic. And I feel like I've accomplished a lot. I feel like I'm highly respected, which is more important than any award or any amount of records. And I feel like there comes a point when being a pop star is not enough.
I've always loved records, even when I was a kid, my parents would buy me records instead of a lot of the other toys kids got. That's what I wanted. I've been collecting records and DJing my whole life, and I thank my parents for that. They had a big record collection and really imparted the magic of it on me.
Never stand still. Only stand still enough to learn, and once you stop learning in that stance, move off. Always keep yourself engaged, in theater, in whatever job you can get. If you can't get an acting job, then go backstage. Or take tickets. But be around actors because that is where you will primarily learn.
In rock n' roll, we don't sell records at all like we used to. Yet the artist still has to pay to make records. So you've just got to get out on tour and be smarter about your merchandising.
We've all got a lot of catching up to do. I'm still learning how to act, for god's sake. When I see these old-timers on the Turner Classic Movies, I still get ideas, you know. That's where you really learn acting. If you really see some of these old boys working it and you say to yourself, "My God, if I could really do that that would be wonderful."
I mean, just like every other prominent songwriter or producer, you have the shot. You send in records and if they make it, they make it. If they get heard, they get heard. I'm not sure if you know how that circle of songwriting and producing works, but every time a big artist is working, everybody and their mother is in the studio writing records to try to get on it.
When you have the catalog of work, it doesn't feel like you've got one shot to get it right; it's just like, you're making a new document of something at the present time, and it's a living thing, and it changes. It's been cool to help other people make their records, to produce. You get a crash course in things that you don't get as the artist.
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