A Quote by Madalsa Sharma

When it comes to the look of a character, it plays a very important role in shaping up a character's personality. — © Madalsa Sharma
When it comes to the look of a character, it plays a very important role in shaping up a character's personality.
I guess my personality is that of a modern, strong Chinese woman. I don't believe in destiny. There are many things that can be changed. I don't like to be defeated by difficulties. I love freedom, so when I am shaping a character, I usually do it the way I want. I always find some part of my own character in a role.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
You know, I always got offered other stuff. Not the romantic leads, obviously. But very often it's a role that's underwritten, where the character has no personality at all. And they need a character actor who can fill it in.
There are many wonderful orchestras in the world, but very few who have a character or personality of their own. The Chicago Symphony Orchestra is one of them, and I think it very important to recognize and respect that character.
'Rangrasiya' was a very special show for me. It played a very important part in shaping up my career. I feel it was a premature end to the show. My character Rudra was very close to my heart.
Until a character becomes a personality it cannot be believed. Without personality, the character may do funny or interesting things, but unless people are able to identify themselves with the character, its actions will seem unreal. And without personality, a story cannot ring true to the audience.
It makes it fun. When an actor plays a character, you want what that character wants. Otherwise it doesn't look authentic. So I really want to defeat Jimmy - I mean Jimmy as the character.
Larry Drake - I love his work... He plays a very disabled character like the role I'm playing.
TV and film both attract me equally. In both, you do search for a role that would be enjoyable to do, that has a great storyline and then, secondly, you look at the cast and the crew - are they respectable? How I look at it is my character - has the character got enough substance? It can't just be a one faced character, which is there to fill a gap. He has to have a purpose, so if it ticks all of those boxes then generally it's a good choice.
For early plays of mine, I started with character. But I think that's because I hadn't been in theaters; I hadn't worked that much. I'm very interested in character, obviously, but once I started having my plays produced, I became so fascinated by the theatrical experiment and the weirdness of theatrical space, so now all my plays start with space and stage picture and setting - or container is maybe the better way to put it.
'Deep Red' (1975) is my favorite movie. The character David Hemmings plays is very much based on my own personality. It was a very strong film, very brutal, and of course the censors were upset. It was cut by almost an hour in some countries.
I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.
When you see a singer on stage who is 100% committed to the personality, character and temperament of the role being sung, it's truly awesome and very powerful.
Even when I took up 'Drishyam,' I was not the lead character. I liked the role as the story was about my character and that was enough for me to take up the film.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
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