A Quote by Madalyn Murray O'Hair
The neighborhood children, of course, were forbidden by their parents to play with my little boy, Garth, so I finally got him a little kitten to play with. A couple of weeks later we found it on the porch with its neck wrung.
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I was a welfare worker for the Indian Council for Child Welfare. I'll tell you a story. Rajiv was only four years old at that time, and was going to kindergarten. One day the mother of one of his little friends came to see us and said in a sugary voice, 'Oh, it must be so sad for you to have no time to spend with your little boy!' Rajiv roared like a lion: 'My mother spends more time with me than you spend with your little boy, see! Your little boy says you always leave him alone so you can play bridge!' I detest women who do nothing and they play bridge.
Who will cry for the little boy, lost and all alone?
Who will cry for the little boy, abandoned without his own?
Who will cry for the little boy? He cried himself to sleep.
Who will cry for the little boy? He never had for keeps.
Who will cry for the little boy? He walked the burning sand.
Who will cry for the little boy? The boy inside the man.
Who will cry for the little boy? Who knows well hurt and pain.
Who will cry for the little boy? He died and died again.
Who will cry for the little boy? A good boy he tried to be.
Who will cry for the little boy, who cries inside of me?
Well, when I was a little girl we had 17 cats once. They all lived outside, and they kept having more kittens. My mom made us put little ribbons around each kitten's neck, put them in a wagon, and go door-to-door around the neighborhood to try to give them away.
When your little child tells a lie, do not rush at him as though the world were about to go into bankruptcy. Be honest with him. A tyrant father will have liars for his children; do you know that? A lie is born of tyranny upon the one hand and weakness upon the other, and when you rush at a poor little boy with a club in your hand, of course he lies.
I've gone through back surgery a couple times, and of course, my radiation treatments for six weeks got me to the point where I was not able to play at the level that I was accustomed to.
Boy's natural play is rough and tumble play, it's the universal play of little boys. And it's very different from aggression. And we are a society that's failing to understand the distinction.
For months, my parents had been trying to prepare me for the arrival of a real sibling. They had given me a doll to play with and encouraged me to take care of her. And when the baby, a little boy they named Rahm, finally arrived, they encouraged me to help take care of him, too.
The culturally specific, in particular, the American porch play that American writers have cherished and loved for many years in terms of their new writing, has seemed to have very little relevance to a much more fast-flowing, abstract, experimental drama that has been emerging in [the UK]. The porch play, not to mention that thing of, Oops, I wasn't loved enough by my father, somehow didn't have the relevance in this country.
I'll usually stay up a little later than my wife and play Xbox, a little 'Modern Warfare 3.' Or I'll have a friend over, and we'll play board games until late at night. I'll always choose fun over sleep.
I found myself at Cambridge, loved my course, and met these amazing people who got me heavily involved. I presumed I would have to go to drama school, but I did a play with my uni friends, who were doing lots of pub theatre in London, and through that met my agent. She said 'Don't go to drama school. I'll get you a job' and two weeks later she did.
My parents always did things a little bit differently. My three brothers, my sister and I didn't go to normal public schools - we were home-schooled. We didn't play Little League or other team sports. We were a skateboarding family.
If someone said, 'You can go live in this little town in Costa Rica for a couple of weeks and all you've got to do is sing for us,' I would do that. That's more exciting to me than the prospect of going on some national tour, where you're going to play arenas or sheds every night, because of the crushing repetition of that kind of line.
Come little children I'll take thee away, into a land of Enchantment Come little children the time's come to play here in my garden of Shadows Follow sweet children I'll show thee the way through all the pain and the Sorrows Weep not poor childlen for life is this way murdering beauty and Passions Hush now dear children it must be this way to weary of life and Deceptions Rest now my children for soon we'll away into the calm and the Quiet Come little children I'll take thee away, into a land of Enchantment Come little children the time's come to play here in my garden of Shadows
I lived in a plenty tough neighborhood. When somebody called me a 'dirty little Guinea', there was only one thing to do-break his head. When I got older, I realized that you shouldn't do it that way. I realized that you've got to do it through education. Children are not to blame. It is the parents. How can a child know whether his playmate is an Italian, a Jew or Irish, unless the parents have discussed it in the privacy of their homes.
We brought him [Raffi Torres] in because he was an emotional, physical player. He's had nothing but a great attitude and a great work ethic with us all year long. He comes to play, prepares himself real well. We need him to play the way he does. You know, he's a little bit sometimes outside the box, but you've got to let him be who he is.
When I got out of school, I spent two years just hitchhiking around. Every time I met some old farmer who could play banjo, I got him to teach me a lick or two. Little by little, I put it together.
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