A Quote by Madalyn Murray O'Hair
I want a big man physically as well as intellectually. l want a man with the thigh muscles to give me a good frolic in the sack, the kind who'll tear hell out of a thick steak, and yet who can go to the ballet with me and discuss Hegelian dialectic and know what the hell he's talking about.
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Hell man, I know very well you didn't come to me only to want to become a writer, and after all what do I really know about it except that you've got to stick to it with the energy of a benny addict.
I just disagree so much with the way the Catholic Church says things like, 'If you're not a good person, you'll die and go to Hell; there's a purgatory there...' If I was talking with a Holy Ghost, it would scare the living Hell out of me.
At first I didn?t give a damn to go down in history. I wanted to win. But the more I won, the more I thought about leaving something behind. Yes, it's as important as hell to me. I want to leave something that people will remember me by. Of course, a lot of boxers want to do that. But it's not easy. Take Larry Holmes, he was the big man after Muhammad Ali, he wanted to emulate him, but for some reason the public didn?t take him like they did to Ali. I think people won?t fully understand what I contributed to the sport for years.
By the time I was in high school, I was big enough to beat the hell out of everybody who said anything to me. And I learned how to blend in. All of that made me a very confident man. A very aggressive man. I developed it to survive.
The older I get, for me it's about fear. If I read something and it scares the hell out of me, that's what I want to do. If it's a challenge and a massive risk and I'm going out on a limb ... those are the ones I want. And they are few and far between. I don't work very much because I'm very specific about what I want to do.
Some day, my son, you are going to learn that the two greatest joys of being a man are beating the hell out of someone and getting the hell beaten out of you, good night.
I don't really write for fun; it's not an enjoyable experience. For me, art, or whatever the hell it is I do, has always been a refuge from that which makes me want to tear my lungs out. That's why I play like I play; I'm not into entertainment.
I was born to give the white man hell, and I will give him hell from the cradle to the grave.
Raise hell - big time. I want y'all to get out there and raise hell about damned near everything. My word, there's a world out there that needs fixing. Get out there and get after it.
Man disavows, and Deity disowns me: hell might afford my miseries a shelter; therefore hell keeps her ever-hungry mouths all bolted against me.
I don't let many people in. I don't discuss everything. If I don't want to discuss it, I'm not discussing it. I think that annoys the hell out of an awful lot of people.
The challenge for me was not just the prosthetic work and how to move like an older man would move, but more so how to have 50 years of experience in the workplace and talk to a young Robert F. Kennedy as if he was some political upstart that didn't know what the hell he was talking about. That was the big challenge [in the J. Edgar Hoover m?vie].
We're sitting in here, and I'm supposed to be the franchise player, and we in here talking about practice. I mean, listen, we're talking about practice, not a game, not a game, not a game, we talking about practice. Not a game. Not, not... Not the game that I go out there and die for and play every game like it's my last. Not the game, but we're talking about practice, man. I mean, how silly is that?.. And we talking about practice. I know I supposed to be there. I know I'm supposed to lead by example... I know that... And I'm not... I'm not shoving it aside, you know, like it don't mean anything. I know it's important, I do. I honestly do... But we're talking about practice man. What are we talking about? Practice? We're talking about practice, man.
You know what I want? The answer is, I truly don't know what I want. I don't want to do a television series. I want to do dramas as well as comedies, but I have no idea what kind or in what order. Just give me the chance at them.
It's very difficult for me to do fund raising for my own organization if I'm working for other companies because sponsors will say, 'Well, hey, man, if she's doing a ballet for Ballet Theatre, we'll give money to Ballet Theatre.'
What you and I need to do is learn to forget our differences. When we come together, we don't come together as Baptists or Methodists. You don't catch hell 'cause you're a Baptist, and you don't catch hell 'cause you're a Methodist... You don't catch hell because you're a Democrat or a Republican. You don't catch hell because you're a Mason or an Elk. And you sure don't catch hell 'cause you're an American; 'cause if you was an American, you wouldn't catch no hell. You catch hell 'cause you're a Black man. You catch hell, all of us catch hell, for the same reason.
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