A Quote by Madame de Stael
Nothing recalls the past like music.
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The importance of recalls is to show that contaminated meat is getting out the door. And when you look at these recalls, in many ways the most disturbing thing about these recalls is how little of the meat actually winds up back at the plant.
Music forecasts the past, recalls the future. Now and then the difference falls away, and in one simple gift of circling sound, the ear solves the scrambled cryptogram. One abiding rhythm, present and always, and you're free. But a few measures more, and the cloak of time closes back around you.
The present, like a note in music, is nothing but as it appertains to what is past and what is to come.
The thoughtful believer recalls God's faithfulness in the past when confronted by any new threat. Part of spiritual maturity is strong sense of one's own history.
It is already possible to imagine a society in which the majority of the population, that is to say, its laborers, will have almost as much leisure as in earlier times was enjoyed by the aristocracy. When one recalls how aristocracies in the past actually behaved, the prospect is not cheerful.
I'm all for file sharing. That's great - as long as people are prepared for the significant consequences. One is that music will become completely couched in advertising. That's already happened. And another is that people should be prepared to have fun with the past because the only music that can possibly be free is the music that's from the past. It costs money to make music. And if people are prepared to only have the past to listen to, then let it be free.
But the past does not exist independently from the present. Indeed, the past is only past because there is a present, just as I can point to something over there only because I am here. But nothing is inherently over there or here. In that sense, the past has no content. The past - or more accurately, pastness - is a position. Thus, in no way can we identify the past as past
We learn in the past, but we are not the result of that. We suffered in the past, loved in the past, cried and laughed in the past, but that's of no use to the present. The present has its challenges, its good and bad side. We can neither blame nor be grateful to the past for what is happening now. Each new experience of love has nothing whatsoever to do with past experiences. It's always new.
Now I have never met a group of people who hate music more than professional roadies, and it is clearly obvious that 99.9 percent of them know nothing at all about music. Nothing. I find this to be quite strange, really. It's like someone who works in a bakery knowing nothing about baking.
Who can ever be alone for a moment in Italy? Every stone has a voice, every grain of dust seems instinct with spirit from the Past, every step recalls some line, some legend of long-neglected lore.
Your whole past hangs around you with nothing completed - because nothing has been lived really, everything somehow bypassed, partially lived, only so-so, in a lukewarm way. There has been no intensity, no passion. You have been moving like a somnambulist, a sleepwalker. So that past hangs, and the future creates fear. And between the past and the future is crushed your present, the only reality.
I believe music is like medicine. Like a good tonic, it can open your mind, strengthen and possibly even cure you. Music can work on many levels, and nothing I know of possesses the healing force that exists within music.
Music is something you can't really put in terms like in a sport, like running or football - that you win if you score more. In music, there's nothing like that.
A solitary maple on a woodside flames in single scarlet, recalls nothing so much as the daughter of a noble house dressed for a fancy ball, with the whole family gathered around to admire her before she goes.
When I write, it's intimate. I write in the car, and I don't even hear, like, ambulances driving past me because I'm in my car, listening to the music, writing. I record in an attic with no booth. It's not like I'm in the dark with candles, but it's like a house, a home, and I record like that. I think that plays into the music.
You listen to a politician making a speech, and it is like hearing nothing. Whereas, music is unmistakably music. The thing about music is that nobody listens to it unless it's real. I don't think that you can fool anybody for too long in music. And you certainly can't fool everybody.
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