A Quote by Madame de Stael

The most beautiful landscapes in the world, if they evoke no memory, if they bear no trace of a remarkable event, are uninteresting compared to historic landscapes. — © Madame de Stael
The most beautiful landscapes in the world, if they evoke no memory, if they bear no trace of a remarkable event, are uninteresting compared to historic landscapes.
There are landscapes and species that are not going to be here a hundred years from now, fifty years from now. One gift we as writers give to the world is to bear witness to these landscapes and species as we have experienced them.
When a figure painter executes a landscape he treats it as if it were a face; Degas' landscapes are unparalleled because they are visionary landscapes.
Perhaps I seek certain utopian things, space for human honour and respect, landscapes not yet offended, planets that do not exist yet, dreamed landscapes.
I think my concern is I know my voice, and I know the kinds of landscapes that interest me, so my primary concern is doing the most I can with those voices and those landscapes.
National Parks are a part of the American experience. They evoke memories of childhood vacations and pride in the beauty of our national landscapes. They are also reminders that if these parks are to remain beautiful and accessible, we have a responsibility as a nation to maintain and protect them.
By walking a long time in an environment, landscapes begin to influence on your mood, as( landscapes) change, your feelings do.
For me a true landscape is not just a representation of a desert or a forest. It shows an inner state of mind, literally inner landscapes, and it is the human soul that is visible through the landscapes presented in my films.
I guess for me - in the TV commercial world I was known for shooting locations, beautiful landscapes and things like that - so, it's interesting.
These landscapes aren't breaking news or necessarily even illegal. These are intentional, purposeful landscapes, whether to extend our cities or build a mine or put a road in or clear a forest. I've been photographing that which has been intended by us; it's not an accident.
New Jersey is to New York what Santo Domingo is to the United States. I always felt that those two landscapes, not only just the landscapes themselves but their relationships to what we would call 'a center' or 'the center of the universe,' has in some ways defined my artistic and critical vision.
Only through art can we get outside of ourselves and know another's view of the universe which is not the same as ours and see landscapes which otherwise would remain unknown to us like the landscapes of the moon. Thanks to art, instead of seeing a single world, our own, we see it multiply until we have before us as many worlds as there are original artists.
Many painters had a clear idea of what fractals are. Take a French classic painter named Poussin. Now, he painted beautiful landscapes, completely artificial ones, imaginary landscapes. And how did he choose them? Well, he had the balance of trees, of lawns, of houses in the distance. He had a balance of small objects, big objects, big trees in front and his balance of objects at every scale is what gives to Poussin a special feeling.
But it is also untrue that I have nothing specific in mind. As with my landscapes: I see countless landscapes, photograph barely 1 in 100,000, and paint barely 1 in 100 of those that I photograph. I am therefore seeking something quite specific; from this I conclude that I know what I want.
I've dreamed landscapes for years, and my dreams play an enormous role in my work. In fact, when I first started doing landscapes I felt insecure about painting in this style, and the dreams were like positive omens for me, and I've done a few paintings that were exact replicas of images that came to me in dreams.
My landscapes are not only beautiful or nostalgic, with a Romantic or classical suggestion of lost Paradises, but above all 'untruthful'.
I've been in beautiful landscapes where one is tempted to whip out a camera and take a picture. I've learned to resist that.
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