A Quote by Madame de Stael
Love is a symbol of eternity. It wipes out all sense of time, destroying all memory of a beginning and all fear of an end.
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There is no end and there is no beginning. There is only eternity. Eternity can be warm. eternity can be cold and ruthless.
Eternity isn't some later time. Eternity isn't a long time. Eternity has nothing to do with time. Eternity is that dimension of here and now which thinking and time cuts out. This is it. And if you don't get it here, you won't get it anywhere. And the experience of eternity right here and now is the function of life.
We conceive of immortality as having a beginning, but no end; but we conceive of eternity as having neither beginning nor end. Hence it is proper to speak of eternity as the attribute of God, but of immortality as the attribute of man.
Love is the bridge that leads from the I sense to the We, and there is a paradox about personal love. Love of another individual opens a new relation between the personality and the world. The lover responds in a new way to nature and may even write poetry. Love is affirmation; it motivates the yes responses and the sense of wider communication. Love casts out fear, and in the security of this togetherness we find contentment, courage. We no longer fear the age-old haunting questions: "Who am I?" "Why am I?" "Where am I going?" - and having cast out fear, we can be honest and charitable.
The negative side to globalization is that it wipes out entire economic systems and in doing so wipes out the accompanying culture.
The negative side to globalization is that it wipes out entire economic systems and in doing so wipes out the accompanying culture
There's a misunderstanding about what nonsensical things are - the idea that they're just funny, and that's the beginning and the end of it. Nonsense is not 'not sense' - it operates at the edge of sense. It teems with sense - at the same time, it resists any kind of universal understanding.
Love is the symbol of eternity.
Trump is the living embodiment of the main character in the film American Psycho, a symbol of corporate domination on steroids, an out-of- control authoritarian parading and performing unknowingly as a clown, and as a symbol of unchecked narcissism and a bearer of a suffocating culture of fear. He is the symbol of a failed sociality and a declining social order.
For perfect love casteth out fear, and fear can only be from the material things that soon must fade away.
And thus hold to the higher thought of eternity. For life is a continual experience.
If time has no beginning and no end, everything is happening, will happen, has happened, at the same moment. All eternity in a single moment.
There is no fear in love, but perfect love casteth out fear. Fear is a painful emotion that arises at the thought that we may be harmed or made to suffer. As long as we must trust for survival to our ability to out look or out maneuver the enemy, we have every good reason to be afraid. Fear is torment. To know that love is of God and to enter into the secret place leaning upon the arm of the Beloved, this and only this can cast out fear.
I never map things out in advance. It would be better if I did and more economical in terms of time, but I've found that if you work out a plot line from beginning to end, at the beginning it becomes very rational.
The end of 'The End' is the best place to begin 'The End', because if you read 'The End' from the beginning of the beginning of 'The End' to the end of the end of 'The End', you will arrive at the end.
The Light of the Christ within now wipes out all fear, doubt, anger and resentment. God's love pours through me, an irresistible magnetic current. I see only perfection and draw to me my own.
The beginning is never the clear, precise end of a thread, the beginning is a long, painfully slow process that requires time and patience in order to find out in which direction it is heading, a process that feels its way along the path ahead like a blind man the beginning is just the beginning, what came before is nigh on worthless.
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