A Quote by Madchen Amick
When I was just starting out, I had two choices: I could be the beautiful girl on the main man's arm as decoration, or I would have to do a little independent movie to get any depth in the female character.
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My whole theory about why I couldn’t find any creators who realized they were leaving out female characters is because they were raised on the same ratio. I just heard someone the other day call it either ‘smurfing’ a movie, which is when there’s one female character, or ‘minioning’ a movie, which is when there’s no female characters.
I think it's great that you have inspirational female roles, that it's not just the pretty girl on the arm of a man.
If I had my choice, I would do the same little independent films, but they would have $100 million budgets, so I could get paid a fortune and hang out in a huge trailer.
Any movie you see, if Tom Cruise is in an action movie or whatever it is, The Avengers, there's going to be a kick-ass female character. Usually one. And there's a term for this, but I don't know what it is. But someone's coined a term where there's one female character who's incredibly tough and strong and just as good as the guys at whatever it is they’re doing, and usually wearing black, skin-tight clothes, and [she] has no personality whatsoever, and is not funny.
Directors typically have three choices - you do a studio movie and get a paycheck up front, you do an independent movie, which is for your heart and you don't get paid up front and probably don't make any money on it, but it hopefully goes to Sundance and is more of an art movie, and then you do TV.
Whenever two guys got together, you asked, 'What body part would you like to work?' In my case, it was the arm. Most guys wanted to feed me for that arm drag. We always believed in storytelling, so if I had the arm, the heel would get away for a moment - or heel his way away - and then I would get back to it.
Starting my carrer, I had three rules. I called a press conference and said: you can't kill me in a movie; I win all my fights in a movie; I get the girl at the end of the movie if I want her. They weren't about to hear that, and I knew that I would have to do that myself, but I set the public up and set the press up letting them know what I was going to do: continuing to sell the brand and image that I had.
If I could play any role in any musical, it would be Desiree in 'A Little Night Music' - Oh my, it is perfection. The character gets to be funny, beautiful, sexy and smart all at the same time and have two men fighting over her. The show is Stephen Sondheim at his absolute best... need I say more?
If I could play any role in any musical, it would be Desiree in A Little Night Music - Oh my, it is perfection. The character gets to be funny, beautiful, sexy and smart all at the same time and have two men fighting over her. The show is Stephen Sondheim at his absolute best... need I say more?
I signed this girl's arm. And the next day, a family member shot me an email, and it was a link to this girl who had my signature tattooed on her arm. I was like, 'Man, that's dedication. I'm sorry you did that.'
Any music star would be singing about his lost love. A movie would be about a relatable incident; it wasn't an untouchable magic dragon box. It was something that people could relate to, and when I vanished a girl, it would be a story about a girl that left me, or a cutting into pieces would be a date with a magician. I wouldn't just vanish a girl in a shower, I would do the shower scene from Psycho [1960] with a [Alfred] Hitchcock cameo.
It's great to have female characters that have depth that you can explore instead of being the decoration or the girlfriend or the wife.
Be that strong girl that everyone knew would make it through the worst, be that fearless girl, the one who would dare to do anything, be that independent girl who didn’t need a man; be that girl who never backed down.
TRUST took as its starting point the question, What would happen if a movie took the character of a teen-age girl seriously?.
If a movie makes it really big, they do the obvious thing, right? They make an amusement park ride out of it. ... The connection is obvious. You get off, "Man, that was just like the movie! Only the movie had a storyline and characters, and that was a little more like a roller coaster."
A girl who would fall in love so easily or want a man to love her so easily would probably get over it just as quickly, very little the worse for wear. On the contrary, a girl who would take love seriously would probably be a good while finding herself in love and would require something beyond mere friendly attentions from a man before she would think of him in that light.
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