A Quote by Madchen Amick

I wanted to be ballerina, be in a band, then in drama. — © Madchen Amick
I wanted to be ballerina, be in a band, then in drama.
Above all, I wanted to be appreciated as a prima ballerina who happened to be a Native American, never as someone who was an American Indian ballerina.
I always wanted to perform in some capacity since I was a kid - I was a ballerina, then a singer before acting.
My mom always wanted me be a ballerina, and I was just adamant that I wanted to be a track star. I wanted nothing to do with ballet.
You don't accidentally turn into a big band. Not even Nirvana accidentally turned into a big band. They toured - they wanted to become a big band. They didn't necessarily want to become that big of a band, but they still wanted to make a really good record and wanted to come out and tour.
[Princess Margaret] was loud, an extrovert, an exhibitionist, loved fashion, loved color, loved music, loved drama, loved the theater, wanted to be a ballerina or actress, was always the little one putting on the school plays, and [princess] Elizabeth reluctantly did it and got stage fright.
When I decided to go to university I didn't know what I wanted to do. When I had an opportunity to take an elective I took Drama by chance, even though I'd never taken a Drama course or even been in a play in high school. Two years later I was majoring in Drama and I knew I wanted to be an actor.
I wanted to be a ballerina so badly. You can be seen and take over the spotlight without speaking. I had a fear of speaking in public back then.
I actually knew Sully's sister, and I was in a band called Stripmind, and then I became roommates with Sully and being out of a band, he asked if I wanted to join in his. Tony was originally the second guitarist in the band; a guy by the name of Lee Richards was the first. The rest is pretty much history.
I really wanted to do a comedy. I've done a lot of drama, and comedy was the one genre I was not being offered. So I became obsessive about getting one. I tried with two little parts in comedies that were more mainstream, I was kind of fumbling around, and then I read The Brothers Bloom and knew it was the one I wanted to jump into. Did it take adjusting? Actually, it's not really any different from doing drama.
I danced with the London Festival at Covent Garden. I'm a ballerina by trade; I'm a ballerina who sings by the way.
For me, it was a choice between band and drama - and I hated the band teacher.
I wanted to be in a band that gave bang for the buck. I wanted to be in the band who didn't look like a bunch of guys who, you know, should be in a library studying for their finals.
I literally grew up in drama. I used to watch drama - the catharsis of the play - then see drama at home.
In PhD, my topic was Stage Techniques in Sanskrit Drama - theory and practice. I wanted to combine my drama training with Sanskrit drama, which has a very rich history in literature.
I wanted to be a ballerina. I changed my mind.
I've always wanted to be a professional dancer, I'd always wanted to be a ballerina. I trained for 13 years but it never came to be.
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