A Quote by Madchen Amick
I knew David Lynch going to television was going to be something. It was either going to not work, nobody was going to get it and it would disappear, or it was going to be something special and really stand out.
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I led the NFL in attempts the past two years and they really didn’t go out and get a quarterback to help me so I knew it’s going to be all on me again. I could see my mortality as a football player, that I’m not going to be able to do this much longer. It just became obvious to me that playing football for me is not going to be fun, not something I’m going to enjoy and it’s time for me to do something different.
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
If you really want to break it down, on a small movie everybody knows that they're there for artistic reasons to do something special to make something amazing, and they're not going to get their normal hotel and they're not going to get their trailer, but they're willing to forgo that - and of course the salary - because they want to do something really special. On a big movie, most people are getting paid a lot of money, and so they're there to do the work.
When you play me, I'm going to get right up in your grill and let you know it's going to be a long day. It's going to be physical. It's going to be something you don't like. It's going to be hell.
It's crazy. I don't know how I'm not dead. People think I'm going to get punched in the face: "Something terrible is going to happen to you. You're going to get killed." That's not what's going to kill me. The show is going to kill me. The work is going to kill me. Once I'm on the street, I'm not worried about that.
I was a barfly, so going to work and acting and rehearsing and then going and sitting in a bar and drinking and then going home was sort of my lifestyle. And there was none of that out here in the '70s when I was lucky enough to get movies, and nobody else that I knew was working in movies at that point. I didn't really have a lot of movie friends.
You can't really be one-dimensional in this fight game. If you are, you're going to get knocked out or you're going to get finished. Either that, or you're just going to take a lot of damage and you're just not going to be able to last very long.
Well, the truth is that we are all mystical and that there is something going on that can't be explained. Outside of the day-to-day stuff like getting up going to work, we all have something going on within us, and we all know that there is something going on - we're spiritual creatures and we are very powerful.
I went to visit Frank Capra, one of my idols, and did a kind of Judd Apatow interview with him. I said, "I'd like the Statue of Liberty to disappear, but I want to do it as a lesson in freedom, how valuable freedom is and what the world would be like without liberty." And Frank Capra looked at me and said, "David, I love your idea, but here's what you're going to do. You're going to try and it's not going to work; it's not going to disappear." And I said, "Mr. Capra, I can't do that."
The idea that you have a vision of what you're supposed to be, or going to be, or where your kids are going to be - and that that doesn't work out - is always going to be something that's going to affect people and move people.
I'm going to go to work out, and I'm going to enjoy it, and I'm going to eat really healthy. But I'm going to go to Vegas, and I'm going to stop at In-N-Out Burger, and then I'll be back on track.
Quarterback and cornerback are two of the hardest positions to play on the field, so yeah, you're going to get beat, you're going to throw interceptions, you're going to get sacked, you're going to miss throws. Stuff like that is going to happen. That's something you've been prepping for your whole life playing the position.
Something that I've told all of my young artists is, there are going to be haters. You're going to read things that are going to hurt you. It's not going to make any sense. Just know that it's out there and that it's really easy to just press 'delete.'
I'm going to go out there and work hard. I'm going to get better, I'm going to learn from my mistakes and I'm going to be there when my team needs me.
I want my music to sound like throwing yourself out of a tree, or off a tall building, or as if you’re being sucked down into the ocean and you can’t breathe… It’s something overwhelming and all-encompassing that fills you up, and you’re either going to explode with it, or you’re just going to disappear.
You write a screenplay and then everybody is going to want to get in on it and we have to figure that out. I've written three screenplays that are at studios and I still haven't been making them yet so there is always something that is either going to trip something up or maybe get another pass.
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