A Quote by Madchen Amick

We don't have to look back at da Vinci's work and Albert Einstein's work and Mozart's work. We're actually living in the time period that David Lynch is creating his art. We're so lucky.
Art historians agree that Da Vinci's paintings contain hidden levels of meaning that go well beneath the surface of the paint. Many scholars believe his work intentionally provides clues to a powerful secret... a secret that remains protected to this day by a clandestine brotherhood of which Da Vinci was a member.
Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Helen Keller, Pasteur, Michaelangelo, Mother Teresa, Leonardo da Vinci, Thomas Jefferson, and Albert Einstein.
Well, for that matter, I was also a good friend of Leonardo da Vinci, Botticelli, Francis Bacon, Albert Einstein, and John, Paul, George, and Ringo." He pauses, seeing the blank look on my face and groaning when he says, "Christ, Ever, the Beatles!" He shakes his head and laughs. "God, you make me feel old.
Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.
David Lynch is very important to me, and he does dreamlike movies, but my dreams are not like David Lynch's dreams. I have no interest in copying anybody's work. It would never occur to me to want this to look like someone else's thing.
When I first met David Lynch, he was living in the stables of the American Film Institute... He'd work all night and have his crew lock him in during the day, and he'd sleep.
I've always been amazed by Da Vinci, because he worked out science on his own. He would work by drawing things and writing down his ideas. Of course, he designed all sorts of flying machines way before you could actually build something like that.
It's amazing how quickly human beings adapt, isn't it? It was such a great crew, and David [Lynch] was wonderful to work with [on 'The Elephant Man']. It was a very thrilling time, actually.
I wanted to work with Mike Leigh. I had my list of British people I wanted to work with, and I wanted to work with David Lynch and Woody Allen.
I always thought that art that is produced somehow has to reflect the zeitgeist or the ambiance and the time and the history in which it is produced. I think it's inescapable. It's like we look back now, at work done savoring the thirties, and you can almost tell it was done during that period of time. Now maybe, that's a style of period or something, I don't know. I think my work, or the things that interest me, come out of my reaction to history.
All the lawyers and the business stuff is work, but actually creating stuff isn't work. It's good effort. It's hard work. But, it's not work. It doesn't feel like work because the result is very rewarding.
But even technical work filled with formulas can be valuable and important. Einstein offered a lot of technical work on quantum physics, which mostly eludes me. I refer to his work, and I have studied it, but I am not a physicist. But look at Einstein's simple statement that the most important decision you ever will make is the decision whether you live in a friendly universe or a hostile universe.
What made Leonardo da Vinci, Thomas Edison and Albert Einstein such creative geniuses? It wasn't reading books or watching YouTube talks about How To Be More Creative, that's for sure... If startling insights could be systematically arrived at, they wouldn't be startling. The best you can do is to create a conducive environment: put in the hours; take time to daydream; avoid mind-corroding substances.
It's happened many times before. Usually it results in an exceptional and gifted human. Some of the greatest figures in Earth's history were actually the product of humans and the Loric, including Buddha, Aristotle, Julius Ceasar, Alexander the Great, Genghis Khan, Leonardo da Vinci, Isaac Newton, Thomas Jefferson, and Albert Einstein... Aprodite, Apollo, Hermes, and Zeus were all real, and had one Loric parent
I love all of Albert Brooks' work from 'Defending Your Life' back to his first film, 'Real Life', but am sorry that he seems to have lost his edge in his more recent work.
I work all the time; whatever I do, I do it, and I don't necessarily look at it as work. You could say the Auschwitz project was work, or the Lowy Institute is work, or Westfield is work, or the football is work. It is life.
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