A Quote by Maddie Marlow

Music can change everything for you if it's honest and strikes a note inside. — © Maddie Marlow
Music can change everything for you if it's honest and strikes a note inside.
Music is really everything I know. To be honest every experience I've ever had has been brought up from music and everything I do is because of music. I don't know anything else, I think about music before I go to sleep and it just really is everything that I am.
Flamenco is connected with so many types of music. It has Jewish culture inside, Arabian culture inside, Russian culture inside, Spanish culture inside. It's linked to African music too, because African music has the 'amalgama' rhythms you can find in flamenco. You can find everything in flamenco. That's why it's so beautiful.
You may be sitting in a room reading this book. Imagine one note struck upon the piano. Immediately that one note is enough to change the atmosphere of the room - proving that the sound element in music is a powerful and mysterious agent, which it would be foolish to deride or belittle.
I only have one note, let's be honest. But I'll play a different version of that one note.
I can't pass a bookstore without slipping inside, looking for the next book that will burn my hand when I touch its jacket, or hand me over a promissory note of such immense power that it contains the formula that will change everything about me.
You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
The bell strikes one. We take no note of time But from its loss.
I was trying to change things on the outside and you can't. You've got to feel it on the inside and everything else will change.
I think, as musicians, our music should be who we are. Sometimes it's not - it's someone else's. All heartfelt music and all honest music, it's who we are. Of course, our upbringing has everything to do with it.
Byrd has always been that kind of pitcher, trying to trick you, keep the ball low, in and out. He threw a lot of strikes, worked it inside and out, threw breaking balls for strikes behind in the count.
As soon as me and Willow started releasing music, that's one thing that the whole world took away is, okay, they unlocked another step of honesty. If these guys can be honest about everything, then we can be more honest.
My driving philosophy about making music is that you can reduce it all down to one note if that note is played with the right kind of sincerity.
I don't make notes for myself because I either lose them or they make no sense to me at all. I once found a piece of paper with the note: 'everything.' Apparently I made a note to myself not to forget everything!
I dont make notes for myself because I either lose them or they make no sense to me at all. I once found a piece of paper with the note: everything. Apparently I made a note to myself not to forget everything!
I know some artists who come out of country music and the three sessions a day work ethic where you walk in, and you're told you play this note, this note, and this note, and you don't vary it. I know that works great for some people. It wouldn't work for me.
What I was interested in was conveying an emotional message, which means using everything you've got inside you sometimes to barely make a note, or if you have to strain to sing, you sing.
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