A Quote by Maddie Marlow

We are not going to release an album that we don't believe in. — © Maddie Marlow
We are not going to release an album that we don't believe in.
If tomorrow I want to release a rock album or I want to release a bachata album, nobody can tell me anything - why can't I?
If I sample a song, I usually make samples out of the whole album. Then I move on after that. Doesn't mean I'm going to release that whole album, but I do that.
[Music From the Edge of Heaven] wasn't really an album at all. The band had made the decision to release an LP and then split up. We wanted to go out with a bang in Britain and the rest of the world by having a single that was four songs, not just one song. But we couldn't do that over here because we couldn't release a single without an album.
In my opinion, I would still like to go into a studio - because I love the environment of being in a studio - and record a great album beginning to end, but then maybe not release it as an album. Maybe put singles out there, put songs out there - either give some away or release some the traditional way.
You're never going to release the next album and have it be different from your other two, three, four, five albums. People give them a hard time, but it's like, 'I'm an artist, I'm trying to grow. I don't want to have the same album for 10 albums in a row!' Same thing for a martial artist.
'Angel Of Death' was a big problem. I remember getting a phone call after the album was done: Sony wasn't going to release it.
You can only release music so often. You have albums and the whole cycles and everything like that, so covers are a great way to release music and new things before the next album comes out.
I would like to release an album that I truly believe in, thus it is hard to put a time limit on it. I want to really go deeper and discover myself again through music.
When we came off the tour for the last album, we started on this one. We've just been chipping away at it. We're not in that much of a hurry, because when we release a Blur album, that's a three year promotion and touring cycle.
When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.
I can't believe Tina Turner actually was on the same stage. I can't believe I set foot on the same stage, and it's going to be an album, people are going to buy it, and it's going to be a video.
I'm going to release whatever feels right and what I think is going to spread a good message about my artistry and what I believe.
I'm aware that if I make a country album and release it, and it gets on the Grammys, the Grammys are going to put it in the Urban category. Just my blackness automatically sets it in there.
We really wanted to create an album that had no boundary or limit to it. There's nothing to say that we couldn't release a song that belongs on 'The Stage' 20 years into our career. We want it to be an album that constantly grows with what we want to do, and that's what we did.
Albums tend to dictate what they need. Every time I have made an album it sort of feels like it is decided for me how that album is going to sound; it is not really a cerebral decision where you sit down and decide that you are going to make an album that sounds like 'this.'
I have a solo deal with Columbia Records. So it's about, do I want to release an album, when can we do it, what kind of album should it be, how should it be released and marketed and what's the right timing? Do I have time to do it? It's all about questions.
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