A Quote by Maddox

If Manliness had a soundtrack, the score would be metal. — © Maddox
If Manliness had a soundtrack, the score would be metal.
I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging.
There's real potency in metal. Metal fans love metal as if it's a nation they would fight for. It's not diluted by pop culture.
I've said the Grammys messed up metal because it's not on TV. What I'm saying is when you're in a metal category, it's not televised, and it doesn't move the needle forward for metal artists, and I wish they had more respect for the genre.
PG-13' is kind of a scattered, almost movie soundtrack album, with elements of punk and metal and electronica.
Metal isn't necessarily aggressive. There's metal that's contemplative, there's metal that's sad, and there's metal that's exuberant. No genre is limited in what it can express.
There's the soundtrack to The French Connection II'I think It's my favorite soundtrack. It hasn't been released. I actually had to go and get the film and just make a recording of it to get the music.
The first record I bought was the 'Edward Scissorhands' soundtrack. I remember being really obsessed with the movie, and all the campiness sort of went over my head because I was so little - it's the same with 'Hairspray.' But I would listen to that soundtrack a lot.
Manliness means perfect manhood, as womanliness implies perfect womanhood. Manliness is the character of a man as he ought to be, as he was meant to be.
I write to try to find out who I am. One of my main themes is manliness. I think I'm trying to figure out what manliness really is.
I hardly follow the Finnish metal scene at all at the moment. I'm more interested in traditional '80s heavy metal, and I'm still a little scared of black metal and death metal and their provocative imagery.
My soundtrack to life would have to be 'TT.' It has gained a lot of love since we debuted it in Japan. I would say overall that it's the song that had the biggest influence on Twice.
You would open a drawer, which my father had jammed full of newspapers, and the bottom would drop out. There were buttons and screws and nails and bottle caps and jar lids – the drawer of jar lids! Why? Because they're made of metal and maybe there'll be another war and we'll need the metal. A friend of mine – I quote him in the book – says, 'You have found the source of the river eBay.'
That's why I think it hurt us, whereas these other bands [I'm assuming he means the other Big 3 -Slayer, Megadeth, Metallica] they kept doing their thing, just METAL. METAL. METAL. METAL. We didn't do that, we took a little but of a turn.
I always wanted to be a winner, to score goals. There was no massive bravery in terms of my mum passing away and stepping up. I just wanted to score. I know everyone would have given me a pass on it if I hadn't taken it. But I'd have had the hump with myself if I'd shirked it.
My favorite film score is the one Thomas Bangalter created for 'Irreversible.' The soundtrack absolutely defines the daymare-into-nightmare feeling you get from the film.
Because it is in the nature of things that they become extreme, we have passed down from manliness to cruelty. If I had been told when I was 20 that there was a tavern in the town where the brave and the cruel were gathered together, I would have run all the way and I would have gone up to the largest and leatheriest of the denizens and said: If you truly love me, kill the bartender.
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