A Quote by Madelaine Petsch

The first skincare product I ever got was nose strips. I was 8 years old, and I was like, 'I want to feel like a grown-up.' — © Madelaine Petsch
The first skincare product I ever got was nose strips. I was 8 years old, and I was like, 'I want to feel like a grown-up.'
When I was younger, I used to look at movie stars with pencil-thin noses and think about a nose job. I've got a grown-up baby nose; it's not chiseled and structured. Then I saw how beautiful Audrey Tatou was in 'Amelie' and thought, 'She's got a nose like mine, and if she can have a baby nose, so can I.'
The Deep Cleansing Pore Strips have been a staple product in my life for years. I don't pop blackheads. I don't touch my face. I like that this allows me to feel like I'm getting them out without grossing myself out.
I'm thirty-six years old and I've been married once and he left and I don't want to feel this way anymore. Like I can't be vulnerable. Can't relax. It's exhausting, always being on the defensive, keeping my guard up. I feel like Cuba.
I like the communication and trust that comes from a long-term relationship. When you really know people as musicians and as people, you feel you can really count on them. That frees you to take more chances and ... it takes the music to a higher level. It translates into a better product for audiences. There are two levels to these relationships. The first level is being with guys for the first few years, you're getting used to guys - he's got this to offer, he's got that to offer, I don't like this, I do like this. You both praise them and are critical as you get to know one another.
I feel like 2012 was the first year I actually felt like a grown-up.
I was very, very young when I first started acting. My first movie role I was in, I was eight years old at the time. My mom got me involved in community theater stuff when I was like five or six years old. How I learned to read was by reading the captions on TV, and I grew up from a really young age watching tons of movies and television.
I feel like the first record was really finding my feet, figuring out what music I wanted to make... Now that I've done that, I feel like I've got a much clearer idea of what I want to sound like and what I want to discover. It's exciting.
I'd like to think that all the old Beatle fans have grown up and they've got married and they've all got kids and they're all more responsible, but they still have a space in their hearts for us.
I don't feel like I have to please anyone. I feel free. I feel like I'm an adult. I'm grown. I can do what I want. I can say what I want. I can retire if I want. That's why I've worked hard.
I feel great. I feel younger. And I don't feel anything at all. I don't know who knows, but right now I'm, how, how many years have I, fifty five, something like that. Forty three years old. And I feel like seventeen, like twenty five years ago.
When I got the 'Blue Album,' I was 11 years old, 10 years old, and then I convinced my parents to go and get my first drum kit, which was, like, 600 bucks.
I've grown up with girls that are like Precious. I've grown up with people that are like everyone that I read about in that book. And so years later, when I was given the role, I just felt a huge responsibility to show the reality of that situation and to show that we're not making it up.
At 35, I'm definitely starting to feel more like a grown-up than I ever have. There's nothing in my life that is childish or whimsical. Having fun is fantastic and I never want to lose a sense of that - and also, I think, you have to have that to put into your work or else it's going to feel stiff.
I don't want to recover from writing this book [The Onion]. I feel very poised. I feel like I'm with my mother for the first time ever. I feel like I've confronted her, and the confrontation goes on.
Sometimes I feel like I've got my nose pressed up against the window of a bakery, only I'm the bread.
For me, being 10 years old and seeing 'Jurassic Park' for the first time blew my mind. I want music to feel like that.
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