I think the first role I ever played was the Magic Carpet in 'Aladdin Jr.' I did a lot of tap dancing and not a lot of dialogue. But I loved it so much, and I loved the way people responded to the characters.
I enjoyed dancing with the Hardy Boyz back in the day. We did a lot of stuff at the house shows, dancing with Eddy Guerrero, and I think I had Mark Henry dancing as well. Kurt Angle danced. There were a lot of people who enjoyed that part of the magic of Rikishi and Too Cool.
To me, it was never about what I accomplished on the football field. It was about the way I played the game. I played the game with a lot of determination, a lot of poise, a lot of pride and I think what you saw out there...was an individual who really just loved the game.
I was a typical American boy. I did a lot of outdoor activities, played a lot outside with my friends, loved to go the beach, liked to hike, boating and fishing, and I flew a lot of model airplanes as well.
I loved my kids. And I loved my house, and I loved a lot of things about my life in the 1950s. But there were a lot like me in that era, very overeducated housewives.
But what I did know was that I loved a girl. And I knew I loved her in a way I'd never, ever recover from. I knew I loved her to the very core of myself. And I knew she loved me back.
I don't believe you ever stop loving anyone you ever really loved. You have them there like money in the bank just because you loved them and held them in your arms or dreamed you did. You can forget a lot of things in life, but not that honey to end all honeys.
You were the best thing in my life … I did love you. I do. As much as I’ve ever loved anyone, as much as I can. It feels like a lot – it takes up my whole heart.
I learned dancing because I loved dancing. It took away the pain, it took away everything, I was happy when I was dancing. I got a lot of respect when I was dancing: people respected my art, they didn't only respect my body.
I must have been 10 or 11, but anything Dana Carvey ever did, I just really loved. He was on for a long time, I don't really know when that era was. I could watch Dana Carvey with my parents, they loved him too. They loved all his characters.
I don't feel that no big stone should be put over my head, saying he did this, he did that. Unless there's something that I really did do. I believe I'm just ordinary. And I'd like for people to think of me that way, as just a guy that tried. Wanted to be loved by other people because he loved people.
There was a lot of dancing in '76, '78, in the '80s. A lot of dancing. The burn years. A lot of dancing. And for a while, working fit in with all that. 'Moonlighting' - that wasn't acting. It was people telling me 'Let's create a character who is you, so you can play him the way you are. The guy you are at night.' It was fun.
The first role I ever played I had the lead and it's pretty much stayed that way, though people take great relish in calling me a character actor, which I am. There are a lot of short parts I could play, but I only do them when they are like this ("A Few Good Men"), central to the idea of the movie.
I've always, especially through old Hollywood musicals, loved just to watch tap dancing; I adore it. I think it's fantastic.
My brother became so enamored with that film [West Side Story], that he started taking tap-dancing lessons, and I followed him and started tap dancing, and my mother and father started tap dancing - I was in a class with my family, tap dancing!
I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.
I loved the role [of John Wick]. I loved the action. I loved all the new characters. The world expands into the Underworld. It's getting bigger. Yeah, it was a really great experience [in John Wick 2].