A Quote by Madeleine Albright

As far as barriers once I joined the government I was very lucky because I had all of my credentials together, I was Doctor Albright... So when somebody wanted the one woman I made sure that they knew I was dependable and qualified.
I was really lucky because from a very young age, I wanted to be a doctor. So I kinda knew I had that goal for my whole life.
I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
I knew that good people who wanted to be a part of the American dream have become trapped in dependency because the federal government and the state government had made it in their economic interest not to take a job because the benefits that they didn't work were better. I changed that.
I was lucky that I started very young, since I had a very clear idea of what I wanted to do. But my father is very conservative, and he never considered fashion to be a real career but something I could pursue as a hobby. He wanted me to be a doctor, and at one point, I thought of becoming a plastic surgeon.
I wanted to go to Washington to bring people together who had never been together before. I wanted to break down the barriers between races.
I knew Chelsea had made some offers while I was at Shakhtar so when I eventually arrived here, after a short spell with Anzhi Makhachkala, it was amazing. Having David Luiz, Oscar and Ramires here when I joined was very important for me because they helped me a lot with the language and inside the club, so it was very helpful.
I always knew I wanted to be a doctor, but I also knew that being a doctor meant more than treating just the patient in front of you.
I always knew the woman I wanted to be-I knew I wanted to be a woman who was independent a woman who was in the driving seat, a woman who didn't need for the man to decide.
Confidence is the key to virtually everything. It's just deciding that you're qualified because once you decide you're qualified, everything else becomes very easy.
I knew that I wanted to write about a very young woman because I wanted to see the eyes of the art world in a fresh or even slightly naive way. Because there's something very honest about entering a room and not having a read on everyone there.
Once you were a child. Once you knew what inquiry was for. There was a time when you asked questions because you wanted answers, and were glad when you had found them. Become a child again, even now... You have gone wrong. Thirst was made for water; inquiry for truth.
There's Madeleine, and then there's 'Madeleine Albright'. And I sometimes kind of think, who is this person? Once you become 'Madeleine Albright' it doesn't go away.
What qualified me to write about Israel was that I wanted to; it took no time to convince myself. The only reservation I had was about eaven: I wanted to write about the Jewish heaven but did not feel qualified because I did not and do not believe in 'it,' though I should.
Big Fish was the first movie that we worked on together, and I had already written it. We had another director, but that director didn't do it. So, it was just a Hail Mary to Tim, and Tim said that he wanted to do it and I was like, "That's fantastic!" But, there wasn't a lot of collaboration because he knew what he wanted to do and just did it. There were very minor changes for Big Fish.
I looked up to my parents because they were very successful in what they wanted to do. I was lucky; I didn't have to look far for role models.
All my life I've felt like somebody's wife, or somebody's mother or somebody's daughter. Even all the time we were together, I never knew who I was. And that's why I had to go away. And in California, I think I found myself.
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