A Quote by Madeleine Albright

We live in an image society. Speeches are not what anybody cares about; what they care about is the picture. — © Madeleine Albright
We live in an image society. Speeches are not what anybody cares about; what they care about is the picture.
A nation's budget is full of moral implications; it tells what a society cares about and what it does not care about; it tells what its values are.
Sure there's a difference with puppet-craft - who cares? I don't care about the puppet-craft, I care about what works. Who cares about the puppet and craft? It's not about that. It's about compelling an audience, and touching an audience in some way.
Dictators are not strategists in the way I normally use that term. All the dictator cares about is survival. That means constantly worrying about the tactical response, "What do I do today, tonight, tomorrow morning, to stay alive?" Vladimir Putin doesn't care what happens a year or five years from now. He just cares about staying in the game. That is all he needs to survive.
Planned Parenthood doesn't care about women's health care needs; it cares about abortion.
I care about a lot of issues. I care about libraries, I care about healthcare, I care about homelessness and unemployment. I care about net neutrality and the steady erosion of our liberties both online and off. I care about the rich/poor divide and the rise of corporate business.
A classic man is a distinguished man. He cares about taste and his craft. He's all about the simple model that I live by - eat, drink, be swanky, and have fun getting the job done. He makes sure that he's excellent in all things and that he cares about his neighborhood immensely.
I don't care about my image. I'm already paid. I've already got my money, so why worry about my image?
Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
I have always been open about the way I live my life, because hiding skeletons in the closet and presenting a picture-perfect image is not my style.
I don't think that this movie is the kind of movie that a magazine like In Touch even cares about, if you know what I mean. It's a Lars von Trier film. They care about Moneyball, not Melancholia. They care about what I wear to Melancholia premieres; they don't really care about a Lars von Trier film.
It makes me envious of anybody who can say truly that they don't care what anybody thinks of what they do, because I care a lot about the people who like my stuff.
I'm being photographed, worrying about my hair - and yet here I am, I've directed a feature film, why do I care about the way I look? Who cares? Does Tim Burton care? Does Joel Coen?
Anybody who cares about the functioning of democracy should be concerned about the blurring of lines between public and private interests.
Frame in terms of what you want to have in the picture, not about making a nice picture, that anybody can do.
I like to find characters. Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
I don't care about anybody's opinion - I care that my movies move you in a way to think about things and consider your own life.
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