A Quote by Madeleine L'Engle

I have a point of view.  You have a point of view.  God has view. — © Madeleine L'Engle
I have a point of view. You have a point of view. God has view.
I take a biocentric point of view. I look at things from the point of view of the Earth and the laws of ecology. As opposed to the anthropocentric point of view, where everything revolves around humanity.
From a high-tech point of view, an agriculture point of view, a goods-and-services point of view, a great deal of [committee Democrats] have no choice except to support allowing America access to these markets.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
It gives liberty and breadth to thought, to learn to judge our own epoch from the point of view of universal history, history from the point of view of geological periods, geology from the point of view of astronomy.
I've always been a big proponent of point of view in cinema. Not necessarily that the point of view has to be subjective, but that in all great films the point of view has been taken into account and established.
My point of view when I make a book or I make a movie is to see the humanistic point of view. The point of view of the daily life of normal people.
I am highly variable in my devotion. From a doctrinal point of view or a dogmatic point of view or a strictly Catholic adherent point of view, I'm first to say that I talk a good game, but I don't know how good I am about it in practice.
If you're not on set, if you're not on stage, go to class. Find teachers you trust and who push you and who you respect as people. That's what you're getting with a teacher: a point of view. You end up taking those points of view and that turns into your point of view as an actor.
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're seeing it from that point of view. A production designer is seeing it from the placement of furniture that tells you about the character. Everything that goes into the room should tell you about the person who lives in that room.
There is only one point of view, that is your point of view. You are making a mistake if you see the point of view of people. There is only one and that is your livelihood.
You have to have a sense of what it looks like, not from the point of view of the policymaker but from the point of view of those who are at the receiving end of your policies.
If I was asked to do a film that was just trying to sell a political point of view or religious point of view, I wouldn't do that because that's a bad script.
As soon as anybody puts anything on film, it automatically has a point of view, and it's somebody else's point of view, and it's impossible for it to be yours.
From my point of view, which is the point of view of no illusions, there is only winning and losing. You might as well be a winner.
This site uses cookies to ensure you get the best experience. More info...
Got it!