A Quote by Madeleine L'Engle

No matter how true I believe what I am writing to be, if the reader cannot also participate in that truth, then I have failed. — © Madeleine L'Engle
No matter how true I believe what I am writing to be, if the reader cannot also participate in that truth, then I have failed.
No matter what I have done, no matter how I have failed, no matter how week I have been, no matter how inadequate I am, God has not changed. He has not failed.
Saul Bellow once said, 'A writer is a reader who has moved to emulation' — which I think is true. I just started writing and made that jump from reader to writer and learned how hard it was, but also how much fun it was — losing myself in these imaginary worlds.
The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.
Good writing, and this is especially important in a subject such as economics, must also involve the reader in the matter at hand. It is not enough to explain. The images that are in the mind of the writer must be made to reappear in the mind of the reader, and it is the absence of this ability that causes much economic writing to be condemned, quite properly, as abstract.
I never criticized one person in any way that I did not believe was true. How am I a mean guy if I'm telling the truth? Because nobody wants to hear the truth.
My writing model is my mother, who is a writer as well. She always valued clarity and simplicity above all else. If someone doesn't understand what you're writing, then everything else you do is superfluous. Irrelevant. If any thoughtful, curious reader finds what I do impenetrable, I've failed.
When you hear a true story, there is a part of you that responds to it regardless of art, regardless of evidence. Let it be the most obvious fabrication and you will still believe whatever truth is in it, because you can not deny truth no matter how shabbily it is dressed.
All religions, plainly and simply, cannot be true. Some beliefs are false, and we know them to be false. So it does no good to put a halo on the notion of tolerance as if everything could be equally true. To deem all beliefs equally true is sheer nonsense for the simple reason that to deny that statement would also, then, be true. But if the denial of the statement is also true, then all religions are not true.
I am someone who values truth - actual truth as opposed to "truthiness." I am also someone who has been trained in deconstruction in the literary theory department of Yale University, so I am someone who is tempted to believe that no absolute truth is possible.
How much truth is contained in something can be best determined by making it thoroughly laughable and then watching to see how much joking around it can take. For truth is a matter that can withstand mockery, that is freshened by any ironic gesture directed at it. Whatever cannot withstand satire is false.
How often I have tried to tell writing students that the first thing a writer must do is love the reader and wish the reader well. The writer must trust the reader to be at least as intelligent as he is. Only in such well wishing and trust, only when the writer feels he is writing a letter to a good friend, only then will the magic happen.
I've always been someone who's believed in truth. I believe truth exists. I don't believe in relativism, a 'your truth, my truth' kind of a thing. However, I also believe that the truth must always be spoken in love - and that grace and truth are found in Jesus Christ.
I am interested in giving the reader true vertigo. I look to deteriorating consciousness as our inevitable condition and I am trying to make it work the same way I did with my juvenile mind - that is, to imagine how we are suffering. To record it being actual and then virtual.
Kierkegaard also said that truth is `subjective`. By this he did not mean it doesn't matter what we think or believe. He meant that the really important truths are personal. Only these truths are `true for me`.
Good propaganda does not need to lie, indeed it may not lie. It has no reason to fear the truth. It is a mistake to believe that people cannot take the truth. They can. It is only a matter of presenting the truth to people in a way that they will be able to understand. A propaganda that lies proves that it has a bad cause. It cannot be successful in the long run.
In a memoir, your main contract with the reader is to tell the truth, no matter how bizarre.
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