A Quote by Madeleine L'Engle

Art should communicate with as many people as possible. — © Madeleine L'Engle
Art should communicate with as many people as possible.
For a very great many years, I asked this question: ‘To communicate or not to communicate?’ If one got himself in such thorough trouble by communication, then of course one should stop communicating. But this is not the case. If one gets himself into trouble by communicating, he should further communicate. More communication, not less, is the answer.
Of course, I, like the sponsoring government, would like to have as many people as possible visit Yokohama Triennale. This is because I believe that art should not be monopolized by professionals and specialists.
There are so many different ways to make art. And so many good stories. You don't have to have a budget. I feel like it's super possible these days for people to make anything, no matter who you are or where you come from. And that's really exciting. I'm excited to see people around me pushing boundaries in that way, not letting certain structures define them or what art they can make.
Many jazz musicians affect a misunderstood-genius air when they play, which alienates the audience and breaks down the communications of the music. A musician's responsibility is to get as much of his art across as possible. Musicians used to be kept when only the rich could afford art, but now practically everyone can afford radios, stereo equipment, concert tickets, etc. A musician must learn to communicate to survive.
It should be quite clear that it is possible for unpleasant people who are small in various ways other than in their artistic genius to produce great art. Art and morality have no necessary connection.
A writer is one who communicates ideas and emotions people want to communicate but aren't quite sure how, or even if, they should communicate them.
There are many schools of painting. Why should there not be many schools of photographic art? There is hardly a right and a wrong in these matters, but there is truth, and that should form the basis of all works of art.
Infiltrating the mainstream was a natural extension of my street art. I've always tried to communicate ideas to the public as directly as possible.
They say that art should stand the test of time. Life lasts a limited amount of time. Mountains and trees and earth will outlive human beings, but we don't know if they will be here always. Art does outlast the life span of its maker. Art should communicate to an increasing circle of strangers-people who do not know the artist, but come to know the work, and through the work, come to know something about the humanity of the artist that rings with their own humanity.
Art should live in the heart of the people. Ordinary people should have the same ability to understand art as anybody else. I don't think art is elite or mysterious.
We've been thinking very carefully about how can we possibly communicate the real value and the attraction of Nintendo 3DS. The conclusion was that there is no other way than to let as many people as possible to actually see it.
At the end of the day, I would like to have the farthest reach in terms of being able to communicate to as many people as possible. So it's not that I enjoy being obscure; it's that I sonically don't want to be situated here or there.
I've become really aware of all the subtle things you can communicate through the art and how you're presenting a character, particularly someone like Wonder Woman, who means so much to so many people.
Speaking of love, one problem that recurs more and more frequently these days, in books and plays and movies, Is the inability of people to communicate with the people they love: husbands and wives who can't communicate, Children who can't communicate with their parents, and so on. And the characters in these books and plays and so on, And in real life, I might add, spend hours bemoaning the fact that they can't communicate. I feel that if a person can't communicate, the very least he can do is to shut up!
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
The one and only substitute for experience which we have not ourselves had is art, literature. We have been given a miraculous faculty: Despite the differences of language, customs and social structure we are able to communicate life experience from one whole nation to another, to communicate a difficult national experience many decades long which the second of the two has never experienced.
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