A Quote by Madeleine L'Engle

That's a sure way to tell about somebody--the way they play, or don't play, make-believe. — © Madeleine L'Engle
That's a sure way to tell about somebody--the way they play, or don't play, make-believe.
I've always been a guy that's worked hard off the ice and prepared the right way and I feel like I can play those minutes, can play power play and PK and 5-on-5 and I've worked hard to make sure my stamina's up so I can play those minutes.
I tell you what really fries my ass. When somebody gets on me for the way I look. Fat. Overweight. Well, I may be overweight. But I'm sure not fat. And I guarantee you, I'm a better athlete than any f***g body writing. To this day, they don't want to play tennis with me. The don't want to play me in golf. They don't want to f***g run with me
Every player, they should sit down and have a meeting. They should agree, 'this is how we play Nadal, this is how we play Federer, this is how we play Djokovic.' Then, all try to play them the same way. The right way. First you have to play the right way, then you need to play well.
Don't play the way it goes. Play the way it is. And the way it is every time you play it, it's slightly different. Look for something. So that's the challenge not to be bored.
You know, in this industry, being an openly queer actor or entertainer, you can play the game your way, or you can play it the industry's way. And I decided to play it my way. I played it the industry's way far too long.
The way we play is the way every team want to play, but not a lot of teams can play that amazing way.
Studying music involves a lot of mathematics and a lot of exercises of memory. Or you've got to be able to be like somebody, to play like somebody, to play Mozart's music the way he played it and how he intended it. You've got to make it perfect, and that's not what I want to do. Although it is beautiful.
We play the right way at the Spurs. We don't go about business the wrong way, we play hard and represent the Spurs the best way we can.
If you are opening a play, a play that's really about something, a play that's really about ideas, you have to find a way to sell that play.
I'm an actor, and everything about me - the way I perceive things, the way I have seen the world - has been in relation to characters and how I would want to play something or not play it.
I don't just get bogged down in, 'I want to win.' There's something even greater than that. And that's the way that you play the game. I want to play beautiful football. That's our purpose: to go out and play the game at the highest level, play it the right way.
I don't play favorites with people. My basic philosophy is that the only way to make the world a better place is by bringing something beautiful to every single person you run into at every moment of the day, so how can you play favorites with somebody?
It's like creating an artificial loop saying, 'You didn't play the game the way I wanted you to play, so now you're punished and you're going to come back and play it again until you do what I want you to do.' In an action game, I can get that – why not? It's all about skills. But in a story-driven experience it doesn't make any sense.
My one big regret was that there were no scenes that I could play with Eva Marie Saint. I hounded them. I said figure out some way, I just want to play a scene with this woman. But there was no way to make it work.
Every session we do we try and talk about the way we want to play, I try to organize the sessions in a way that the players can understand the way I want them to play.
I just know I can't force things. I've just got to play the right way, make sure I'm making the right play at the right time.
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