A Quote by Madeleine Peyroux
It's great to have other people's help. Then the music gets heard. There's a lot more commercial support for that now.
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I enjoy music that is commercial. I think that in order for music to be heard in a lot of different situations, you have to always consider that. Commercial music, for the most part, is popular music, and you always have to keep that in mind. It's not so much financial as making sure it gets the shot and is heard on the radio.
I know that my music is heard a lot in commercial circles. In academia, I think my music is taken in differently but I'm not sure why that is. Some kind of sixth sense tells me that people in that world are thinking differently about it. I don't know if it has to do with the structure of my music, which is probably more apparent to those in the academic world than it is in the commercial world, where people tend not to think of that aspect of music so much. They just listen for pure enjoyment.
Watch MTV and you can see what the music scene is like in England. The Spice Girls? Not a lot of creativity in the commercial area. There are still great musicians in England, but not a lot being heard that much.
I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.
Back then people closed their eyes and listened to music. Today there's a lot of images that go with the music. A lot of music is crap and it's all commercial and the images are all trying to sell the record.
I find a difference between what gets called world music - a fusion of western music and music from different cultures in more of a modernized version - and Explorer Series stuff, which is completely undiluted indigenous folk music. That's a lot more powerful than a lot of the super-processed stuff that comes out now.
I heard a lot of different kinds of music. I heard country music, I heard jazz, I heard symphonic music, opera, everything you can think of except very modern music.
I have always made commercial music. The people who vote for the Grammy nominees are mostly in their 40s and have other jobs or are musicians themselves. They like music that they can relate to - they like commercial music.
Despite a lot of people thinking that everything gets more and more difficult, I always assumed that people are going to be "Oh, at last you buckled, you're trying to be commercial."
When you do a lyric for 'April in Paris,' those who have heard it before can hear it in a different way now. It can add perspective to a great piece of music that does not have a lyric and may be inaccessible to lot of ears because people don't deal with complex music very well.
If the statistics are right, the Jews constitute but one percent of the human race. It suggests a nebulous dim puff of star dust lost in the blaze of the Milky Way. Properly the Jew ought hardly to be heard of, but he is heard of, has always been heard of. He is as prominent on the planet as any other people, and his commercial importance is extravagantly out of proportion to the smallness of his bulk. His contributions to the world's list of great names in literature, science, art, music, finance, medicine, and abstruse learning are also away out of proportion to the weakness of his numbers.
We were all born, and we all came to the music business with everything we had. Some of us just don't get a chance. Now there's a lot of other people like myself, indeed, who are getting heard worldwide. That gives other artists a chance.
I surf more now for other people than myself. I feel a lot of support from people wanting me to do well, and I feed off that. I can send a positive message to people from what I do.
What I'm making music for now is more similar to what I was doing in the beginning. In those days it was all about doing music so when people heard it in a club it would take their minds of their worries. I got more artistic but now I've gone back to basics.
We both [with Jo Andres] think that it is really important to our culture that we support all kinds of music, all kinds of theatre and all kinds of art because you never know what moves people. We've always believed that there should be a strong voice outside the commercial world. Certainly, the commercial world has a huge place in our culture and we also support that - but, we also want to support the stuff that lives outside of that.
I like to make music, I like rap music. Even if I'm white, I support that music. If I want to support it or any other white kid wants to support it more power to them.
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