A Quote by Madeleine Stowe

Working on the accent helped, enormously. I will tell you that when I brought Michael a correct 'British' accent, one that my dialect coach was happy with, he hated it.
The accent got lost somewhere along the way. I'm a little embarrassed about it. When I arrived in LA I assumed I'd be able to put on the American accent. It proved difficult so I had six months working with a dialect coach and it's become a habit.
If you are playing a Hispanic character who has to speak in dialect or in an accent, nail that dialect or accent. When I hear a character that's supposed to be Cuban speaking with a Mexican accent or vice versa, it grates on me and immediately pulls me out of the story.
I had a dialect coach to get an American accent, and then another dialect coach to come off it a bit. There is something deep and mysterious in the voice when it isn't too high-pitched American.
I went to a dialect coach and she told me that I had five problems; two were my Israeli accent and three were my New Jersey accent. I don't even want to know what I sounded like back then!
When I arrived in L.A., I assumed I'd be able to put on the American accent. It proved difficult, so I had six months working with a dialect coach, and it's become a habit.
If you walk through Knightsbridge on any bland day of the week you won't hear an English accent. You'll hear every accent under the sun apart from the British accent.
When I am playing a role far away from me with an accent that is not mine I always employ a dialect coach. I am almost always playing someone that has an accent that is not mine.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
They said [on a day show], oh, you can't do a Chinese accent. That's - and I said, I'm not doing a Chinese accent. I'm doing my friend's accent. And they said, yeah, you can't do that. And I said, OK, but can I do a Russian accent? And they said, yeah, yeah, of course, you can do that. I said, and a British accent? They said, yeah, go ahead. And I couldn't understand.
I speak with a Northern Irish accent with a tinge of New York. My wife has a bit of a Boston accent; my oldest daughter talks with a Denver accent, and my youngest has a true blue Aussie accent. It's complicated.
My accent has changed my whole life. When I was younger, it was very Nigerian, then when we went to England, it was very British. I think I have a very strange, hybrid accent, and I've worked very hard to get a solid American accent, which is what I use most of the time.
The riskiest thing I have done in my fifties is to do a Polish accent for a new film. I had a great time working on it and two wonderful people to guide me. A dialect coach that I have known for thirty years and a Polish actor.
I guess the most interesting thing that people think is I'm English. They think that I live in England and have a British accent. When they talk to me, at first they go, "Man, you have a great American accent," and I go, "No, no, no, this is my accent. I don't do accents." And then they're really disappointed, and they try to punch me.
It's like a puzzle, putting together your individual accent and what you grew up with or what you heard. It must be insane to be a dialect coach, to balance all that out.
I thought I had a pretty good American accent but I had a few sessions with a voice coach over there and she was picking up on a few things. Possibly because I've got such a strong Northern accent, I emphasise the wrong part of words so the idea is to work on my American accent.
I had a 'Monty Python' CD, and I would listen to it in the car on the way to school. It also refined my British accent. I can do a killer British accent because I'm just imitating 'Monty Python.'
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