A Quote by Madeleine Stowe

Because of the tension and difficulty, I remember trying to do the silliest things when we weren't rolling cameras, anything to lift the spirits. But once on set, it was important to have full concentration.
I do remember when I was starting acting, going from one set to the next, with not much else going on in my life. And at the end of the day, you get back to your hotel room and just feel this awful loneliness, because the cameras have stopped rolling.
I'm such a believer in going to set, even when you're not working, because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily.
Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance.
Our feeling is that the most important thing on a set is that actors have enough confidence to try different things. If there's stress or tension, they won't go out on a limb because they won't want to embarrass themselves if they don't feel completely comfortable.
Sometimes the character will go into a completely different direction than I expected once the cameras start rolling. That's what I love about what I do.
Oh, Raima and I gel very well on screen. Our natural sibling camaraderie is evident once the cameras started rolling.
I'm such a believer in going to set, even when you're not work because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily. You can see how they interact with the rest of the crew, and how they deal with being a character and then being themselves.
I'm up at the crack of dawn. If I'm filming, then I'll wake at 5 A.M. so that I can get on set and made up before the cameras start rolling.
My music has to do with beauty, and it's intended to, if not lift the spirits, then be a kind of a balm to the spirits.
The most important point to remember in developing self-confidence is to take responsibility for who we are. This empowers us. We can change anything, do anything, and be anything when we assume full responsibility for ourselves.
Music is so powerful, it needs to be used for some kind of redeeming work. To lift peoples spirits, to lift their souls.
Meditation is like a single log of wood. Insight and investigation are one end of the log; calm and concentration are the other end. If you lift up the whole log, both sides come up at once. Which is concentration and which is insight? Just this mind.
A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
Why is it that we remember with difficulty and without difficulty forget? Learn with difficulty and without difficulty remain ignorant?
Humor is always important. There are people who help us deal with difficulty or hardship; from the concentration camps to the court jester, there was a need for humor. As long as these kinds of things exist, with repressive regimes, you need it to deal with the weight of daily life.
Once you're on the set and shooting, it's all just cinema. You have actors and cameras.
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