A Quote by Madeleine Stowe
Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively.
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Conception of a film starts with the music. Always. I hear the movie before I can ever write it. I would say that 80% of the time, that's the successful stuff. It's the other stuff I have to work for to get right, and sometimes it doesn't work out, but the music is always the beginning. So I'm still a music journalist.
Why it is that a garment which is honestly attractive in, say, 1910 should be honestly ridiculous a few years later and honestly charming again a few years later still is one of those things which are not satisfactorily to be explained and are therefore jolly and exciting and an addition to the perennial interest of life.
People always say when they meet me that I'm not what they expect. I assume they think I'm this super dark and depressing guy, but I like to channel all of those emotions into my work.
When you're studying drama, when you're a young actor, there are simple rules about acting. "Why am I here? What prevents me from leaving? What am I trying to get? How do I hide something?" So when you're making a film like Abel's movie, you want to be thinking about those things all the time. And you wanna be armed with those things, and you hope the other actors you're working with have the same understanding of drama and scene and acting. Sometimes it works and sometimes it doesn't.
You know, not every good book needs to be a movie, or a television series, or a video game. There's great work in those mediums, of course, but sometimes a book should remain a book. I still believe nothing tells a story with the richness and complexity of a good novel. When people say they think a book would make a good movie, they say this sometimes because, if it worked, they already saw all the images in the movie theatre that is in their brains. And sometimes that is the way it should stay.
You're lucky if I watch 10 minutes of wrestling a month. Most of the time, I channel surf, and I lose interest after a few minutes.
A lot of times you can write a scene with a specific song in mind, and then you lay it over the image, and it kills it. I can never figure out why certain music works. Some music you listen to and say, "Man, that would be great for a movie." But when you try it, it's horrible, because the music itself is cinematic. The weight of it kills the image.
Sometimes I'll be channel surfing or something, and I'll see a glimpse of something, and I'll quickly turn the sound down, and then what I look at, that's an interesting movie. But it's not me who made it. It's whoever that guy I was 10 years ago who made it.
As a child growing up in a grey-skied Yorkshire village, I would occasionally happen upon a Bollywood movie on the television. After a few minutes watching a bunch of sari-clad dancers cavorting on a Swiss mountain to tuneless music, I would switch over to some proper drama about housing estates and single mothers.
They use those monitors now, and sometimes you'll be doing a shot and then suddenly you see yourself on one of those monitors, and I always say turn the monitor round, I don't want to see myself on the monitor. I never see myself 'til the movie's finished.
When you're paid to do a job, it's better to give a few minutes more to it, than a few minutes less. That's one of the differences between doing a job honestly and doing it dishonestly! See?
With boxing, sometimes you'll watch the first three rounds, then you'll change the channel and turn it back in the 10th round. With MMA, you have to watch all 15 minutes. You'll want to watch every second.
'Just What I Am' took me all of 10 minutes to make. 'Immortal' maybe took 30 minutes. It's not hard for me. 'Indicud' is almost what my first album should have sounded like, had I really been able to channel all of the ideas I had into music.
The ending is really the most important part of the movie. If the first hour and 20 minutes is terrific and the last ten minutes stinks, everybody walks out of the theatre and says: 'That was a lousy movie!'
When real music comes to me - the music of the spheres, the music that surpasses understanding - that has nothing to do with me, cause I'm just the channel. The only joy for me is for it to be given to me, and to transcribe it like a medium... those moments are what I live for.
In a lifetime, you can say, yes, you have instances of pleasure, of happiness, you like some of your work, but your work is the entire story, and if you are not satisfied with a few moments of a few parts of that story, you would like to be able to adjust that.
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