A Quote by Madeleine Stowe

Yes, the marriage proposal was shot. Michael excluded the dialogue from the final edit. — © Madeleine Stowe
Yes, the marriage proposal was shot. Michael excluded the dialogue from the final edit.
I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the final characters in the film.
In marriage for example, you say 'Yes' on the day you get married, 'I do', but each day you implicitly if not explicitly, also say 'Yes', by every act that one performs in a marriage, one is saying 'Yes', making a cup of coffee for one's wife or husband is a form of saying 'Yes' to the marriage vow that one is continuing the marriage by affirming it in one's deeds. And exactly the same in the religious life.
Excluded from all fellowship at meals, excluded from all sacrifices, excluded from instruction and from matrimonial alliances, abject and excluded from all religious duties, let them wander over ,this earth.
I write a chapter, then edit it and edit it and edit it and edit it. I don't think we mine creativity from within. It's bestowed from on high, from God.
I never start editing a film until it's completely shot; I don't edit along the way, ever. When it's finished I come in here [screening room] and we start with reel one, scene one and start editing shot by shot by shot until we're finished.
Rather than make claims of final theories, perhaps we should focus on our ever-continuing dialogue with the universe. It is the dialogue that matters most, not its imagined end. It is the sacred act of inquiry wherein we gently trace the experienced outlines of an ever-greater whole. It is the dialogue that lets the brilliance of the diamond’s infinite facets shine clearly. It is the dialogue that instills within us a power and capacity that is, and always has been, saturated with meaning.
I wasn't expecting a proposal from Aamir that night, especially when he had waited long hours for my shoot to get over and I too was drained after giving back-to-back scenes that involved portraying a lot of mental traumas and crying. As I came out of my shot, he stood in front of me, went down on his knees and proposed marriage.
I'm trying to become just more clinical in every situation, whether it's the final pass, the final shot, or whatever it is.
The only kind of marriage liberals had ever glorified is the gay kind. But thanks to Michael Schiavo, the sanctity of marriage is fast becoming a liberal sacrament, with the proviso it has to involve 'mercy killing.' It took Michael Schiavo's devoted efforts to starve and dehydrate his wife to restore liberal faith in the institution.
Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. With the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. In the final analysis, The Curse of Michael Myers is a horrific motion picture just not in the way the film makers intended.
The voice within is what I'm married to. All marriage is a metaphor for that marriage. My lover is the place inside me where an honest yes and no come from. That's my true partner. It's always there. And to tell you yes when my integrity says no is to divorce that partner.
I do like a song that can look good on a page without even being sung. I edit and edit and edit.
Christianity is God's marriage proposal to the soul.
At the end of the first Halloween, when I shot 6 bullets into Michael Myers, John Carpenter said, Let's get a shot of you looking out of the window and seeing no one lying there.
When I got shot I wasn't like 'yes' I got shot, now I can say that in my raps, when I got shot I said 'ouch'.
I refused David Letterman's proposal of marriage for obvious reasons, but thanks for asking.
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