A Quote by Madeleine Stowe
There were mornings in the make-up trailer where I'd have fits of laughter because of the extraordinary daily events of the shoot. Sometimes, it was all too much to believe. But the wildest things happened.
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I don't want to sound mystical but sometimes when you take a picture - when the sets are in place - then something takes over and leads you. It's this sense of extraordinary luck and chance. The shoot is blessed and charmed, and you make pictures that you couldn't in your wildest dreams have imagined. That is the magic of photography.
It was hard to remember in the heavy and sensual clarity of these mornings; I forgot whom I hated and who hated me. I wanted to break out crying from stabs of hopeless joy, or intolerable promise, or because these mornings were too full of beauty for me, because I knew of too much hate to be contained in a world like this.
I shoot in black and white, sometimes color, sometimes if it looks good I shoot out the window of the airplanes or whatever, anything that - sometimes I secretly take secret photos, shoot video of people on the plane if it's not too crowded. I don't know, whatever comes up.
I have a bag with a toothbrush and toothpaste and all the things I might need during the day. I call the bag my trailer. Sometimes you don't have a trailer, so that's my trailer.
Sometimes, you gotta believe something crazy. Because all the other things you could believe hurt too much.
It's hard to find logic in things sometimes. That's why I can't analyze things too much, because it often doesn't make much sense.
The beating heart of your story that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
A Manhattan lawyer who describes himself as "America`s leading expert on the militia movement" writes that he hugged his three-year-old kid the night of the Oklahoma City bombing. He told junior that it happened "because they hated too much" For now, let`s accept the premise that one hundred sixty-eight humans died in Oklahoma City because people "hated too much" Now answer these questions if you would be so kind: did a federal sniper shoot Vicki Weaver in the face because he hated too much? Did our government conduct the Tuskegee with syphilis on black soldiers because it hated too much?
We believe elegance can be casual. We believe gracefulness can be compatible with fits of laughter. We believe in living a colorful life
When I first started in the industry, there were - this is prior to the era of computer graphics and all these digital tools - there were some pretty rigid, technologically imposed limitations about how you shoot things, because if you didn't shoot 'em the right way, you couldn't make the shot work.
I very much believe in things unseen, both of positive and destructive energy, and I have never seen The Exorcist through from start to finish. I find it too realistic, frankly, and too disturbing for me. I absolutely believe in spiritual warfare and have experienced it in my life. So I respect Mr. Friedkin's extraordinary success with that, but it's not a picture I'll ever see.
I grew up pretty much living in trailer houses. The third and final trailer house was called an 'Expando' because you could actually crank it open from 8 feet to 15 feet wide. It was a virtual palace for my brothers and I.
I'm used to coming up with a lot of parts. And I don't have to do that so much [with Divine Fits]. This is the kind of band I've always wanted to be in because we never set up any aesthetic rules when we started it. We just wrote and edited, and it ended up sounding like Divine Fits.
When we were all kids, there was one particular trailer that I think we can all remember. That was the trailer for 'Close Encounters of the Third Kind.' There was an amazing teaser trailer with all this weird kind of documentary footage. We were like, 'What was that! I've got to see that! What the hell was that?'
Sometimes dramas or happenings from 10 or 20 years ago are kept alive by people on a daily basis, whether it's personal issues or bigger things such as what happened with Princess Diana in your country. Some people are still obsessed by that... or JFK and can't let it go. Films and newspaper articles keep being born out of those events.
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