A Quote by Madeleine Vionnet

I only like decoration if it plays second to the architecture of a dress. — © Madeleine Vionnet
I only like decoration if it plays second to the architecture of a dress.
I suppose the most marked example of color as structure is in the Byzantine use of mosaic decoration that becomes architecture. The decoration of the interiors so related to the form that they fuse. In less elaborate interior design this is always the ideal approach to color - used not only as just color alone.
Prose is architecture, not interior decoration, and the Baroque is over.
I think that all art is socially conscious. There is no alternative. Whatever we produce contains a political and social statement. There's no way to avoid that, unless it is pure decoration. But even pure decoration has also some value because you can read pure decoration as a way to ignore the reality that is around us, saying, "Well, I'm not interested. I just like to paint this wall blue.
Simplicity is the base of everything. At the end of the day if you feel good about yourself, you don't need anything. You don't have to depend on the power of a dress to dress you up. You wear dress the dress, it's not the opposite. It's not only a designer, it's not only just fashion, it's a philosophy. It's a lifestyle.
If proportion is the good breeding of architecture, symmetry, or the answering of one part to another, may be defined as the sanity of decoration.
There is no ecological architecture, no intelligent architecture and no sustainable architecture - there is only good architecture. There are always problems we must not neglect. For example, energy, resources, costs, social aspects - one must always pay attention to all these.
Another of the strange and evil tendencies of the present day is the decoration of the railroad station... There was never more flagrant nor impertinent folly than the smallest portion of ornament in anything connected with the railroads... Railroad architecture has or would have a dignity of its own if it were only left to its work.
Songs like 'Outfit' and 'Decoration Day' and 'Dress Blues,' those were good songs, but the output wasn't as consistent in those days.
When Nicklaus plays wells well, he wins. When he plays badly, he finishes second. When he plays terribly, he finishes third.
I like interior decoration, so I might do something in that. I might, at some point, take two years off to study interior decoration.
So I very quickly stopped almost all decoration. I was interested in the three-dimensional form of the pots, but my decoration was nonexistent.
The word Gothic, in the sense in which it is generally employed, is wholly unsuitable, but wholly consecrated. Hence we accept it and we adopt it, like all the rest of the world, to characterize the architecture of the second half of the Middle Ages, where the ogive is the principle which succeeds the architecture of the first period, of which the semi-circle is the father.
Architecture is the will of an epoch translated into space. Living, Changing, New. Not yesterday, not tomorrow, only today can be given form. Only such architecture is creative.
I love the architecture magazines and all of the French magazines for decoration or whatever. I end up enjoying them more sometimes than the fashion magazines.
Find what gave you emotion; what the action was that gave you excitement. Then write it down making it clear so that the reader can see it too. Prose is architecture, not interior decoration, and the Baroque is over.
Gothic architecture requires individual craftsmanship. The wish to create an enclosed world for the congregation gives rise in Gothic architecture to the need to create something wherein the activity of the congregation plays a part.
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