A Quote by Madeline Kahn

I find being funny very hard work. I am always asked about it, and I feel guilty saying that, but it's the truth. I love my work, but it ain't easy. — © Madeline Kahn
I find being funny very hard work. I am always asked about it, and I feel guilty saying that, but it's the truth. I love my work, but it ain't easy.
I can't even really tell a joke. I find being funny very hard work. I am always asked about it and I feel guilty saying that, but it's the truth. I love my work but it ain't easy.
People keep saying that I'm lucky to be naturally funny, that I don't have to work at it. They are wrong. I work very hard.
I'm extremely, extremely lucky to be who I am and do what I do and work with the people I work with. Even though I can always find something to complain about, I find it very hard to complain.
To seek advice is easy, easy-approach job. To find the truth by yourself, that is a little difficult, and you have to work hard continuously, and you will find it.
The big problem for comic art is you don't want to overwork it. If a drawing is overworked it isn't funny. It's the spontaneity that keeps a work fresh and funny. If they can see how hard you work, if they can see the beads of sweat, it's no good. I always try to make it look easy.
As more women have gone into the workforce, they find it harder to be a good mother and a good worker. When I go into the office, I always feel guilty. I'm thinking about the children. When I'm at home, I'm thinking about my work. So you're always under tremendous pressure. Women feel very stressed. They feel like they're working harder and harder and harder. And society is not really helping them.
I went through that stage every teenager goes through: Who am I? What am I? Where do I fit in? In my case I had to deal with newspapers saying I looked fat or tired or my hair was a mess. People always criticize: they either love you, or they don't. But you have to block that out and concentrate on the work. And I feel I am doing good work, and I'm finally getting to see who I really am.
I don't know the definition of a star; I am just an actor. I prefer doing hard work, as I feel luck can't do much in absence of hard work. I am a lazy person - when I entered into this industry, I thought it was a cakewalk, but I have realised it needs a lot of patience and hard work.
I don’t have a problem with recognition ... It’s very, very rarely about who I am, it’s always, ‘I love your work.’ ... It’s always in relation to my work, which I think is a really lucky thing to have happen as opposed to, ‘Oh, you’re a famous personality’.
I don't have a problem with recognition... It's very, very rarely about who I am, it's always, 'I love your work.'... It's always in relation to my work, which I think is a really lucky thing to have happen as opposed to, 'Oh, you're a famous personality.'
It's hard work making movies. It's like being a doctor: you work long hours, very hard hours, and it's emotional, tense work. If you don't really love it, then it ain't worth it.
I work hard and I will always work hard. But I feel very lucky with the way that it has all come together.
One of the things I talk a lot about in my work that I try to practice - which is really hard - is in those moments where we're being asked to do things or asked to take over or asked to take care of something, we have to have the courage to choose discomfort over resentment. And to me, a huge part of my authenticity practice has been choosing discomfort and saying no.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
I don't feel guilty about expressing myself in French; nor do I feel that I am continuing the work of the colonizers.
I sometimes think about that, when I finish in something big I find it even hard, I feel like I lose an actual noticeable percentage of my reading time. Even on the reader end I find it so hard when a book that I love so much ends, to find the kindness to enter into a new one. Do you know what I'm saying? To find my way in, I feel like even there's that space after. I just love inhabiting a book that hits right.
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