A Quote by Madeline Zima

We're not just somebody's girlfriend who smiles all the time and bakes cookies and always has lingerie ready and their hair done. That's not real. The roles that I play are about bringing as much reality into it as possible.
For me it's about the character, not as much about the genre of it [movie]. I'm excited that I get to work and play interesting characters and I'm not just the girl who gets to play the girlfriend or the wife. I get to play real women who have struggles and troubles and passions and that's always what I hope to do no matter what format that lies in.
As far as celebrity, people don't stop me on the street and know who I am. It's more like, 'Doesn't she remind you of so-and-so's ex-girlfriend?' It's always somebody's ex-girlfriend. Somebody ex-girlfriend who's 'crazy.'
I have so far played a variety of roles and enjoyed all of them. But I am biased towards positive roles because I love staying peaceful and bringing smiles on people's faces.
There are so many female roles - particularly for young women - that are just somebody's girlfriend or somebody's daughter, or that are accessories to the main story rather than being three-dimensional characters.
You're in a bathing suit pretty much all year round working for Victoria's Secret. There's so many shoots, and we're always in lingerie, so you kinda always have to be prepared and ready.
I have never been a 'hair person.' Growing up, my mom and my sister, who loved to get their hair done, would always give me a hard time about not getting mine done.
I've become really good at turning down the boring, pretty girl roles, the trophy wife, supermodel, beautiful girlfriend roles. I mean, playing somebody who's perfect holds no allure for me, whatsoever. It's just boring.
There are a few roles I want to play, but mostly I just want to keep doing a play every now and then, watch kids grow and eat cookies and drink tea.
It's more frustrating. My expectation probably wasn't that I'd play [during the playoffs], but I was just trying to make sure that if there was any chance that it was possible to come back that I was ready and that I'd done everything I could to be ready. It's frustrating, disappointing. But can't really control any of that.
Of course, if you have D. Wade on your team, he's the best closer in the history of this sport, so the ball needs to go in his hands, but I was always ready. I was always ready. I remember every time he would play pick-and-roll, he said, 'G, just be ready. Maybe you're going to be open. I need to hit you.'
I'm drawn to roles that have real substance, that aren't just the victim or the teenage girl or the girlfriend.
I think, first of all, every time you want to play somebody who is real is always challenging and always scary, because you are given a responsibility of someone's real life.
I tried to make it as real for them as possible. The thing about being reality is that reality is not always fun. They did a big piece of growing up that day.
I always like hair being a little messy because I think there's something appealing about the whimsy of putting on a gown with any hair or make-up - just stepping into it, and you're ready.
Each time I sit down and write a play I try to dismiss from my mind as much as I possibly can the implications of what I've done before, what I'm going to do, what other people think about my work, the failure or success of the previous play. I'm stuck with a new reality that I've got to create.
Just because we are women doesn't mean the only roles we can play are that of the finger-shaking girlfriend.
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