A Quote by Madeline Zima

I have to just go in and audition, like everyone else, and fight my way to the top. — © Madeline Zima
I have to just go in and audition, like everyone else, and fight my way to the top.
For film, I audition just like everyone else, because it's a different set of casting directors.
Like every audition I go on, I do my best, but after that, I let it go because, you know, the rejection rate is so great in Hollywood, and I can only control what I do in the audition, and after that it's up to somebody else.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
Once you get offstage you're just like everyone else, and everyone else can get into a fight.
People automatically assume that because you're an actor, you're a blank canvas 24/7. But I can't wear what everyone else wears. If I went to an audition, I'd wear what the character would wear, but the moment I'm done with the audition or done filming, I go back into my high-waisteds.
Way, way back in the day, like in the 1990s, if you wanted to tell everyone you ate waffles for breakfast, you couldn’t just go on the Internet and tweet it out. There was only one way to do it. You had to go outside and scream at the top of your lungs, 'I ate waffles for breakfast!' That’s why so many people ended up in institutions. They seemed crazy, but when you think about it, they were just ahead of their time.
I don't know why everyone tries to be like everyone else or just tries to make it to the top when they should be themselves and do their own thing.
There's things Calvin Johnson does that nobody else can do. He's obviously huge, his physical attributes outweigh just about everyone in the league. But on top of that, he still has the ability to learn. He's like a sponge and soaks up anything that can help him as an athlete, as a person. On top of that, he's not soft. He catches the ball and tries to get upfield to score. He doesn't slide or go out of bounds. That's a rare find in the NFL.
You get these young kids who are training their whole life to go to the Olympics. To go there and not fight someone else like them but fight someone who has might won an Olympics before, been a world champion, and is just coming back to fight some kids, I think is insane.
When you write like everyone else and sound like everyone else and act like everyone else, you're saying, 'Our products are like everyone else's, too.'
It's the Met Gala - everyone is huge. It feels very hierarchical, and I get really nervous in hierarchical spaces because I feel like everyone deserves to feel just as special as everyone else, but that's just not the way it is in this business.
In the end, everyone loses everyone. There was no invention to get around that, and so I felt, that night, like the turtle that everything else in the universe was on top of.
Everyone should go up there and fight. Go up there and go through opponents and earn their opportunity to fight for the title, not talk their way into the title.
I fight everyone, I beat everyone. It don't go any other way.
When I go to audition for voiceovers, I do dress as if I'm going to an on-camera audition because that's my way of showing that I do care and it means something to me.
If I have an audition, I go to the audition in character. I'm in character when I walk in the room. I mean, I'm still sweet to everyone, but I'm very much the character.
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