A Quote by Madhuri Dixit

If I see something new, I'd be like, 'Ooh, I want to do that.' The hunger to learn and do better never goes. Your mind is always working. You want to do so many creative things.
Theres a child within me. Everything is fascinating. The hunger to learn, do better and more creative things never goes.
There's a child within me. Everything is fascinating. The hunger to learn, do better and more creative things never goes.
I could take the greatest deal-makers of all time and they've always had something that didn't quite work out. You never want to put yourself in the position where something not working out is bigger than what you are and therefore takes you down. It's got to be in smaller chunks. In all cases, I want to learn something from things that didn't quite work out and learn, so that it doesn't happen again or so that in the future, you make great decisions. You don't want to make the same mistake twice and you have to learn that early on in your life.
My advice to an aspiring actor would be to never stop learning or working for what you want. Nothing comes easy, ever, if you want something, you have to work for it. By working for it I mean work on your craft, learn from people who have something to teach. It's just like anything else, practice makes perfect.
I only want to do the kind of work that I would like to go and see, that`s going to teach me something new, that involves working with people I can learn something from and I can give something to.
Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular.
What I do see in New York and I am amazed is how many rich women will complain about the cost of something and get things for free.I would never want to be like them, but I can see why they save money.
I like working with creative people who are receptive to new ideas, who want to do things that are different, who want to create films of a different mould.
Ooh, I'd love to be in a movie with Meryl Streep or Martin Scorsese. There are so many different things I want to do, maybe like a possessed child or an evil something... I don't know!
I always set myself new goals. I always want to do better than I did in the past. I always want to achieve things I never achieved before.
I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that.
When you are 28, 29 years old... you are aware that this is going to be your last big contract of your career. You have to make up your mind: What is it that I want? Do I want to find something new, a new culture, a new league, a new language, new teammates, a new city? And what is it that I need to be happy? What is it that I need to perform?
You're never where you want to be. There's always waiting. There's always some new project that's coming down the road - some new thing you're working on, some creative direction you're wanting to explore.
I want to go see Somalia because I've never been there, and I feel like I'm missing out. I want to learn that heritage; I want to learn about my culture.
When you're young - when I was young - you want your emotions to be like the ones you read about in books. You want them to overturn your life, create and define a new reality. Later, I think, you want them to do something milder, something more practical: you want them to support your life as it is and has become. You want them to tell you that things are OK. And is there anything wrong with that?
I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
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