A Quote by Madi Diaz
Coming upon a space that sounds unique and incredible is just the best feeling. Sometimes, it's under a bridge or down a stairwell or hallway. Sometimes, it's pitch-black or incredibly warm or in full daylight on a rooftop. I did a shoot recently for a clothing line, Somedays Lovin. I got to stand on the edge of a cliff overlooking the ocean and play my guitar basically all day. It felt endlessly powerful.
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Coming upon a space that sounds unique and incredible is just the best feeling.
Sometimes I just survive. But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more.
As a writer, you're always trying to say the best thing. You're always thinking about what's the best thing to say, and what's the hardest way to say it, and what's the best line? Sometimes the best line is the simplest line. Sometimes the best line is the line that evokes more feeling than actual wordsmithing.
There are so many moments to remember and sometimes I think that maybe we're not really people at all. Maybe moments are what we are.... Sometimes I just survive. But sometimes I stand on the rooftop of my existence, arms stretched out, begging for more.
I shoot in black and white, sometimes color, sometimes if it looks good I shoot out the window of the airplanes or whatever, anything that - sometimes I secretly take secret photos, shoot video of people on the plane if it's not too crowded. I don't know, whatever comes up.
In America sometimes I'll play to a full black audience of young people, they will be really getting into this super-aggressive guitar music. It's really great to know that people who are coming to the gigs don't have any particular expectations.
Sometimes it helps to take a couple days off, as weird as that sounds. Every once in a while, I could just shoot so many shots. You can get so, like, intense with it all. It's like in life, right? We're all created for a sabbath day or for a day of rest. You sometimes need that in shooting, too.
When you're facing a different guy every at-bat, he's coming at you with his best stuff. There's no warm-up; there's no 'see a pitch.' You've got to be locked in from the very first pitch... The biggest thing is do your homework before the game starts.
Sometimes I write it down, sometimes I freestyle. I get lines coming to me randomly throughout the day and I'll jot it down and build on that. If I get a line that's about love, it starts up a whole love verse... And if a beat speaks to me, it's like I already know what to write.
I always do casting for every role, even if it's just one sentence. I like to work with theater actors because they're used to a process. I think filmmaking sometimes can become so stiff. Sometimes I have the feeling that people come together praying in the morning that, "Let's just shoot something, no matter what! Let's just finish this day, no matter what we will tape!"
I'm on this eternal quest to get the best guitar sound in the world, but my vision of what is 'the best' changes every time I go into the studio. Sometimes my goal is to make my guitar jump out, and sometimes I want it to lay back.
These days, my main guitar amps have been Magnatone. They're beautiful. Magnatones have actual tremolo, which I recently learned about guitar amps. Often what guitar amps call vibrato is really just a volume Up and Down. But Magnatone has a true vibrato, which is pitch bending. And so, it's just a lush sound.
Sometimes a day is a symbolic day, and you behave symbolically. Sometimes you search inside for a feeling, and, finding none, you remember that no feeling is frequently the most possible feeling.
I would describe our band "Paper Walls' growth as the natural evolution for anyone the age of 25 to 27, but with "Paper Walls' we focused on the best of what Yellowcard had to offer from our previous work. Meaning we took the energy we had from Ocean Avenue and blended that with that sharp rock edge and all the different sonic evolutions we have on "Lights and Sounds', and we basically mashed them together. So what we have on "Paper Walls' is basically the finest Yellowcard sounds we have to offer.
I basically wake up at five in the morning and grab coffee and just get to the studio. And I have a list of things I need to get done every day. Sometimes it's just mixing, sometimes it's actually writing, sometimes it's writing, recording, and mixing. It all depends on what is necessary that day.
So sometimes things are ahead and sometimes they are behind; Sometimes breathing is hard, sometimes it comes easily; Sometimes there is strength and sometimes weakness; Sometimes one is up and sometimes down. Therefore the sage avoids extremes, excesses, and complacency.
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