A Quote by Madi Diaz
I was pretty lucky to get into Berklee at all. I never really had any theory or music-reading capabilities; I was completely by ear.
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It's easy to get next to music theory, especially between your peers and music classes and so forth. You just pay attention. I had a good ear, so I realized that printed music was just about reminding you what to play.
When I get high anxiety, I vomit. My mom was so stressed out. Then I found out I was staying in John Mayer's old dorm room, and I had a nice roommate. That completely brought me down. I was completely comfortable at Berklee.
I came to Berklee to study guitar, I really wanted to be a jazz guitarist, and I really came because I really wanted to come for Pat Metheny, and then when I get to Berklee, there's no Pat Metheny, he's not there, and so now what do I do?
Boston was incredible. I had some of the best experiences of my life there at Berklee because I met a bunch of other people who were at the exact same stage in life and interest as me. There were American and international students all wrapped up in the Berklee environment, where you basically did nothing but music 24/7.
I was improvising before I was reading music. I was just trying to play things on the clarinet by ear. I think my ear is one of my greatest assets.
There's a saying that we use in golf: "I'd rather be lucky than good." Of course, to be lucky and good is the ideal. If you study hard, you can get good. And if you get lucky and get the proper parts for people to be able to appreciate what you're doing ... I'm sure there are many actors that are quite talented who have never been a success because they've never had the right opportunity and the right material. My mother used to think I had a guardian angel.
I never had any dates. I never really had any boyfriends. I was the girl who did the guys' homework. I was really crazy about guys but I was always like one of the boys. The guys I always fell in love with were completely inaccessible.
I think Berklee College of Music had the highest dropout rate of any college - or pretend college - in the United States. Because I think most people think they're going to be in Green Day or whatever, and you actually have to learn about music you don't care for, too. I mean, I cared for a great deal of music; it's just that I didn't want to submerge myself into the well of fusion jazz.
During college, I didn't really have an interest in what I was studying. It was during college that I first stumbled into forming an underground band where I was the lead vocalist. I had always had an ear for music, but nothing more than that. And that good ear of mine led me to learn and play a lot of instruments while in college.
You never know that this is the moment when you're in the moment. When I was sixteen I moved to a smaller town in Vermont, and at that time I didn't have a band to play in. So I was forced to play in Top 40 bands and fraternity bands and wedding bands. That was all pop music, but I was listening to Weather Report and classical music. Then I went to Berklee College of Music in 1978, and you had Victor Bailey there, and Steve Vai. And suddenly I was among my ilk.
I've never really had any barrier to break I guess. I don't really have anything to rebel against. I'm quite lucky.
My reading of serious books about serious music is seriously compromised by the way that I can't understand any musical theory. Any mentions of D major or C minor are meaningless to me.
I'm really lucky that I've had a little gang of people who I've been involved with for a long time... I've been really lucky to have a gang of people who have always been there to encourage me to get on with it. Styles come and go, but I try not to take any notice of that.
I suppose because I have a good ear, I could pick out harmonies and learn by ear... I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.
I suppose because I have a good ear, I could pick out harmonies and learn by ear. I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.
I was really lucky that I came to puberty at a time when music and politics were completely intertwined.
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