A Quote by Madison Beer

It's scary being in a room with producers and saying, 'Here's my idea,' when I'm scared to get shot down. — © Madison Beer
It's scary being in a room with producers and saying, 'Here's my idea,' when I'm scared to get shot down.
I don't like to get scared - it's not one of the emotions I enjoy. So I have to assume that if there are scary things in my books, they aren't very scary.
Scary is good. Kids like going to a movie and being really scared rather than fake scared.
I always get scared. I can't read scripts. I'm scared, scary movies and stuff.
Other writers, producers, and directors of low-budget films would often put down the film they were making, saying it was just something to make money with. I never felt that. If I took the assignment, I'd give it my best shot.
It's like why people read scary books or go see scary movies. Because it creates a distance. They're scared, but they're not going to get hurt.
I have had an experience which might perhaps be described as being shot down. At the same time, I call shot down only when one falls down. Today I got into trouble but I escaped with a whole skin.
I always feel so proud of the things that I was most scared to do, and they usually end up being the right decision. It becomes magic. It's scary, but I always say, when you're scared to do something, you should probably do it.
Being scared is really a good thing. It's being scared of being scared that's bad. Being scared of walking through your fear, going to a place of true creativity - that's what an artist is, that's what he does. If you do that, then being inspired by your contemporaries or people from the past is really great.
I'm not saying my idea is the one and only idea. We should have other ideas, but the president has not laid down a specific plan as to how he's going to get us to solvency. I do that.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
I didn't have any idea of what I was getting into by going away to college. And I was scared. I was scared of failing. I was scared of it not being for me because I was going to be one of the first people in my family to go off to college.
I've always felt that if you back down from a fear, the ghost of that fear never goes away. It diminishes people. So I've always said 'yes' to the thing I'm most scared about. The fear of letting myself down - of saying 'no' to something that I was afraid of and then sitting in my room later going, 'I wish I'd had the guts to say this or that' - that galvanizes me more than anything.
Most producers today are little bedroom producers and then they get their record and get signed by an agency and go on the road, but they have no idea about DJ-ing. They have no culture about where that music comes from and they just stand behind the booth, put their hand in the air, and play all the hits.
I was scared many times on Everest, but this is all part of the challenge. When I fell down a crevasse, it was pretty scary.
When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes.
I've stood up to producers before, and even a director. I saw them being abusive. A lot of people on the set are scared to say stuff when they're not being treated right.
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