A Quote by Madison Beer

I'm so proud of 'As She Pleases.' It's a really personal record, and I put so much of myself into it that; it feels like I am sharing part of my soul with the world by releasing it.
I am proud to call myself a Hindu, I am proud that I am one of your unworthy servants. I am proud that I am a countryman of yours, you the descendants of the sages, you the descendants of the most glorious Rishis the world ever saw. Therefore have faith in yourselves, be proud of your ancestors, instead of being ashamed of them.
I don't think any of us felt like, "Oh, we need to put joke songs on the record." If we found something funny, we would record it, and if we wanted to, we'd put it on the record. It's not really something we spent too much time agonizing over.
There's a Nina Simone record that I love, 'Live at Vine Street,' and she sings flat on it. I can imagine she might've told the record label, 'Oh, God, you're not releasing that!' But I'm glad they did.
There's really not much conscious thought involved when I record. I just kind of record what feels good. I'm not trying to make it sound like anything.
I know how much my mom has impacted my journey and how much I wouldn't be where I am without my mom. As much as she says she's proud of me, I'm even more so proud of her because of what she's done and how she's been able to raise me and my sisters.
I am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human race, as my spirit is part of my nation. In my own very self, I am part of my family.
I couldn't be more proud of my little sister and the mother she is and am also incredibly proud of my mom and the huge influence she's had on myself, my sisters, and now her grandchildren.
I feel like if I am physically and emotionally able to be at the theater, I will be there. I don't like not being there - I don't like playing hooky. I am just one of those people who feels really, really guilty if I am not there - maybe it's part of being Catholic.
It feels kind of strange knowing that I rule the whole planet of Naboo and I'm only thirteen. At first, my face—because it was really white—was a bit of a shock. But when the whole costume was put together and the headdress was put on, I really felt proud, like a Queen.
I think there’s a lot of threshold weeping. Like, am I doing this? Am I really wearing this out in the world? My daughter is very much like that. She will put clothes on and her clothes just make her beside herself. They make her so sad sometimes. And you do realize you feel betrayed sometimes by your own clothing. You put something on that usually protects you and makes you OK, and sometimes you’re just not fit for the world and even your best pants can’t overcome that feeling for you.
I only write to understand myself better... I don't try to show how intelligent or how cultivated I am, I just try to share my soul. Sharing is part of life.
I put a lot of effort in creating something fictional, yet very personal, because Shook is a defining part of me and my music: the Shook entity is much like the Batman or Superman comics characters. I like the idea that I can have this image that represents a part of me, but isn't really me, kind of like an alter ego.
When I put out a record I don't really like to do covers as much, but I don't mind playing them. I do them mostly for my friends. When a friend's like, 'Man I really like that song,' I go 'hahaha' and I go home and I record it.
I'm proud of The Hangover, but to be in movies like this, which are really the only places I can get work, it's really quite the opposite of what I am. I like sensitive art-house movies. I'm not even much of a partier. I mean, I'll drink myself into oblivion alone in my car.
I would struggle to write for just my own voice as it would be pretty limiting on what my tracks are capable of sounding like, so being open to collaboration is crucial for what I do. The best thing is simple: just getting the finished version of a track that sounds incredible, from when it was just a melody in my head. Seeing that executed is sick. There's not really too much downside as I write by myself so I'm only sharing the part I'm comfortable sharing. It's all good.
I wrote half the record in 2002, which basically concluded with us releasing "Baby's Got A Temper," the last single. I think after the disappointment of that record for myself with the lack of energy and the way the record came out, I would say that was probably the low point of The Prodigy.
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