A Quote by Madison Keys
I love Dennis Quaid! I don't know why, but I've loved him forever.
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He's so interesting because you think you know Dennis Hopper, but you don't really know Dennis Hopper. I don't really know Dennis Hopper, I just know him from the silver screen.
I did Our Winning Season movie that Joe Roth produced, and Joe Ruben, who did Sleeping With The Enemy. He's a really cool director. That's where I met husband Dennis Quaid. Dennis and I met on location in Georgia, and I always thought that was a really great movie. That movie should be included, because it's a really terrific. It's a trite saying, but it's a real, great coming-of-age piece, and all the actors are wonderful.
In the end, I'd loved him enough to let go. From afar, I would love him forever.
He loved me. He'd loved me as long as he he'd known me! I hadn't loved him as long perhaps, but now I loved him equally well, or better. I loved his laugh, his handwriting, his steady gaze, his honorableness, his freckles, his appreciation of my jokes, his hands, his determination that I should know the worst of him. And, most of all, shameful though it might be, I loved his love for me.
I think Elvis loved his fans - I think that's why they loved him and still love him. Fans are very conscious and sensitive to the fact that performers love them.
Because the truth is, I do love him. I've loved him without ceasing. I've loved him since that very first day. I loved him even when I swore I didn't. I can't help it. I just do.
I'm telling you, man, after I did 'Land of the Dead,' which Mark Canton produced, Universal picked it up, and I had to use stars. I didn't think I needed stars - Dennis Hopper was in it. I loved him. We hung out. I loved him, but his cigar budget was more than we paid for the entire budget of 'Night of the Living Dead.'
I went from living in the Dominican Republic - every day, my mom and I would cook, or we'd go hang out with the kids - to flying a private jet to Chicago with Zac Efron and Dennis Quaid. People had champagne, and they were going to these amazing restaurants. It was a culture shock. It's important, I think, to have that. To see both sides.
Both of the Quaid brothers, Randy and Dennis, were in my class, and Tommy Schlamme, who produced and directed The West Wing with Aaron Sorkin, among many others. Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
How unbelievably naive we both were that night. We clung hard to each other, making vows we couldn't keep and should never have spoken aloud. That's how love is sometimes. I already loved him more than I'd ever loved anything or anyone. I knew he needed me absolutely, and I wanted him to go on needing me forever.
"Oh, you want too much!" she cried to Gatsby. "I love you now - isn't that enough? I can't help what's past." She began to sob helplessly. "I did love him once-but I loved you too."
Gatsby's eyes opened and closed.
"You loved me too?" he repeated.
"Even that's a lie," said Tom savagely. "She didn't know you were alive. Why - there're things between Daisy and me that you'll never know, things that neither of us can ever forget."
That’s why it was so impossible to tell him goodbye — because I was in love with him. Too. I loved him, much more than I should, and yet, still nowhere near enough. I was in love with him, but it was not enough to change anything; it was only enough to hurt us both more. To hurt him worse than I ever had.
This time, I whispered that I loved him too. Then, I silently listed all the reason: I loved him for his gentleness. I loved him for being an amazing catch yet still vulnerable enough to be insecure. But most of all, I loved him for loving me.
You did not kill the fish only to keep alive and to sell for food, he thought. You killed him for pride and because you are a fisherman. You loved him when he was alive and you loved him after. If you love him, it is not a sin to kill him. Or is it more?
God's love is so extravagant and so inexplicable that he loved us before we were us. He loved us before we existed. He knew many of us would reject him, hate him, curse him, rebel against him. Yet he chose to love us. God loves us because he is love.
The defining character of Steve Jobs isn't his genius, it isn't his talent, it isn't his success. It's his love. That's why crowds came to see him. You could feel that. It sounds ridiculous to talk about love when you are making a gadget. But Steve loved his work, he loved the products he produced, and it was palpable. He communicated that love through bits of steel and plastic.
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