A Quote by Madlib
Dudes I work with have to be like-minded to where I just hand them a beat that has a chorus and they can do with them what they gotta do. If they can't do that, I usually don't work with 'em.
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Only a fool does not fear actors, but you can't beat them, and if you can't beat them, join them, as they say. As I've got older I've become very interested in that part of the work
Only a fool does not fear actors, but you can't beat them, and if you can't beat them, join them, as they say. As I've got older I've become very interested in that part of the work.
All in all, we'll just do well as a team. We've got a great group of guys, and they're just willing to work. That's what I like being around, just dudes who want to enjoy it and just work really hard.
Like running the hurdles. Work so hard, jump over every one, fast, high enough but no higher, because you can't afford to hang in the air. And then, when the race is over, you're dripping with sweat, either they beat you or you beat them ... and then a couple of guys come out and move the hurdles out of the way. Turns out they were nothing. All that work to jump over them, but now they're gone.
If I'm intimidated, I shouldn't be directing a movie. I gotta treat 'em as characters, not as stars. It's hard to not treat Marlon Brando as a legend, a star, it's difficult not to treat Robert De Niro as a star, but that had to go away very fast after I knew them, because I had to work with them. I'm the director, I'm the boss. They're looking to me for guidance.
Les Pauls work out real well for me because I'll beat the hell out of them and they'll still work. The only trouble with them is finding good ones.
Oh yes, the Klitschkos. They got to learn how to fight. Period. But I'll tell you one thing - they're great human specimens. And I'd be happy to be able to work with them. If they chose to work with me. They had an opportunity when they got free of Peter Kohl - they didn't come to me. You know, I'm with who's with me. And I really don't care what fighter it is. I would be happy to promote them..Who could beat Vitali? Rahman could beat Vitali. His style is suited to beat Vitali.
I have a library room with four desks in it. On one of them is a spec, on one of them is a present work, on one of them is reading for a future work, on another desk is a novel I'm not doing until I'm a hundred and fifty, and things like that. But, contractually speaking, you just do one at a time when it's on and paid and live. You do your real day on one project and the rest is just literary life. Or intrusions.
We do all like to get things inside a barb-wire corral. Especially our fellow-men. We love to round them up inside the barb-wire enclosure of FREEDOM, and make 'em work. Work, you free jewel, WORK! shouts the liberator, cracking his whip.
You've gotta motivate kids. They wanna grow up. They got problems. You've gotta give 'em that music to make 'em feel like they're OK, and it's only a couple of artists that do that.
For most actors, it's such a struggle to get work. Once they have it, they feel that there's an enormous amount of pressure on them to make it work, and have everyone love them. In my case, it was never like that. It was just about working with the people that I want to work with, and telling the stories that I want to tell, you know?
Whenever somebody folds, say, 'Good laydown.' It encourages them to fold on a later hand because it makes them feel like you had the best hand even if you were bluffing. It's an odd form of flattery that seems to work at the poker table.
I really want to work with Adele, I think she's amazing. Lykke Li as well. I love them both. I'd also like to work with The Script. I met them in Australia and we just got on like a house on fire.
We have to be a democracy and demand certain things even after that individual gets in the White House. All those promises those dudes and women are making on the campaign trail, we gotta make sure those promises come to fruition and that doesn't happen by just voting and letting them get in and then falling back. Nah, you gotta be active. You gotta make your voice heard and be constantly involved in what's going on.
A manager's most important work is helping the people doing the work. Give them a goal and let them work. Remove any impediments that get in their way. Do anything that make them more effective or productive. Then the organization can capitalize on the fruits of their work.
I don't think I could ever stop doing serious movies and just do comedies, or vice versa, but there is something cool about going to work everyday and you're just trying to make your friends laugh. That's nice work if you can get it, you know what I mean? It's different than going to work and knowing that I've gotta slap someone in the face today, and then I've gotta cry, and someone's gonna die, I've gotta get myself to that place.
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