A Quote by Madlib

I've got about three or four rooms of records, and two rooms of instruments. — © Madlib
I've got about three or four rooms of records, and two rooms of instruments.
The Laboratory for Radioactivity consisted of only two rooms at the time; at a later date, when tests of radioactive substances became more extensive, it expanded into four rooms.
When I am in New York, you know, my studio is big, about 20,000 to 25,000 square feet, and I have painting rooms and rooms I do etching in, rooms I do lithographs.
There have been days where I've had two writers' rooms or three writers' rooms going, and you walk back and forth. And then you sort of throw yourself on the sofa, and you go, 'Just talk at me for, like, 20 minutes,' and my brain will catch up with this particular story. But I find that exciting.
America’s drug problem is not going to be solved in courtrooms or legislative hearing rooms by judges and politicians. It will be solved in living rooms and dining rooms and across kitchen tables – by parents and families.
They told me that the hotels had maybe two rooms set up for people with disabilities, but if they got there too late, and didn't get one of these rooms, they couldn't take a shower. The room wasn't hooked up for them, or maybe the sink was too high.
There's something about the processional nature of the architecture, of the rooms connecting rooms. It's just breathtaking.
There is something so deeply visceral about libraries for me-rooms and rooms full of people dreaming and remembering.
When they have a choice, people will always gravitate to those rooms which have light on two sides, and leave the rooms which are lit only from one side unused and empty.
We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true.
Our rooms were bugged, our phones were tapped, and our lawyer's rooms were broken into and their files stolen. We finally had to hire armed guards with pistols to be able to maintain our records. It was hard to believe we weren't in Russia.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
The earth's biosphere could be thought of as a sort of palace. The continents are rooms in the palace; islands are smaller rooms. Each room has its own decor and unique inhabitants; many of the rooms have been sealed off for millions of years. The doors in the palace have been flung open, and the walls are coming down.
I made the decision that I didn't want to spend my life in rooms and write about rooms, or else make books that are researched constructs. I think you do have to get out there and live it. Thriller and genre writers seem to understand this.
In my books, there are a lot of people stuck in rooms. Or, conversely, out in the wide open. It seems that, in a funny way, when people are cooped up in rooms they are freer than when they are wandering about in the world.
Twenty years ago, you'd see guys busting rackets in locker rooms. Today they do it in their hotel rooms.
Trailer for sale or rent, rooms to let, fifty cents. No phone, no pool, no pets, ain't got no big regrets. Two hours of pushin' broom, buys an eight by twelve, four-bit room. I'm a man of means, by no means, king of the road.
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