A Quote by Madonna Ciccone

On any given night, catch me on the floor, working up a sweat, that’s what music’s for. — © Madonna Ciccone
On any given night, catch me on the floor, working up a sweat, that’s what music’s for.
To sweat is to pray, to make an offering of your innermost self. Sweat is holy water, prayer beads, pearls of liquid that release your past. Sweat is an ancient and universal form of self healing, whether done in the gym, the sauna, or the sweat lodge. I do it on the dance floor. The more you dance, the more you sweat. The more you sweat, the more you pray. The more you pray, the closer you come to ecstasy.
Good night, Seth." "So you're running again, then?" One of his boots thudded on the floor. "I'm not running." The other boot hit the floor. "Really?" "Really. It's just—" She stopped; she didn't have anything that would finish that sentence and be honest. "Maybe you should slow down, so I can catch you." He paused, waiting.
Any given Sunday you'll catch me rapping and joking.
Cricket has given me everything. If I'm anything today, it is because of the game... where I have given blood, sweat, and tears.
In terms of being able to adapt to any situation on any given night, in any given moment and that just comes with nearly twenty years of experience and paying attention to the guys that I've tried to emulate throughout my career.
You can sweat by not practicing or you can pick up your clarinet. There's good sweat and there's bad sweat.
When I get home I'll still have to unload the dishwasher and clean my room. Last night my mom got so fed up of my messy floor in my room she picked it all up off the floor and put it on my bed so I would have to clean it up before I went to bed!
Tile is going to the landfill by the metric ton. All we have to do it gather it up, glue it down to the floor and grout it. Then you have a tile floor, and not just any tile floor: it's a mosaic of your own choosing.
The floor of ice cream parlor bothered me. It was black-and-white checkboard tile, bigger than supermarket checkboard. If I looked only at a white square, I would be all right, but it was hard to ignore the black squares that surrounded the white ones. The contrast got under my skin. The floor meant yes, no, this, that, up, down, day, night -all the indecisions and opposites that were bad enough in life without having them spelled out for you on the floor.
The touring life wasn't for me. I like to wake up in the same place most days. And I'm really into sitting behind a mixing console and listening to music all night and making music all night. I'm a studio rat.
I have given my all Catch me catch me I think I'm gonna fall
A lot of women reach out to me and tell me my music has given them the courage and confidence to break up with not just any boyfriend, but an unhealthy relationship.
One night I was in bed-and remember that I'm on the second floor of a hotel-when I spotted this crab coming toward me across the floor, watching me with his beady little crab eyes. I think he wanted to get in bed with me.
I followed a girl I met in Japan to Los Angeles and ended up working in a motorcycle store. I quit the job one night, went to a party in the Hollywood Hills and ended up yelling at a bunch of people. Someone saw me yelling and asked me to be in a play. The first night, there was an agent in the audience who took me on and sent me out for jobs.
When you're a producer or director, there's so much sweat that goes into any given project.
My mom and pop took me to the Apollo Theater on my thirteenth birthday to see Heavy D and Keith Sweat. It was late at night, up on 125th Street, and it was crazy!
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